Here is another feature on the themes that structure the Kingston – Part 1: The City and Art exhibition, written by the exhibition curator, Monique Barnett-Davidson:
A simple bus commute or walking tour of the city can bring one into an even more direct engagement with Kingston’s artistic heritage. Street and public art proliferate in the city, whether as officially commissioned statues, monuments and murals, or more informal expressions on community walls, vehicles or vending stalls. These works are experienced on a daily basis by the people who use, traverse, relax or congregate around these spaces and often command their surroundings as iconic landmarks.
As Jamaica’s capital, Kingston is home to a number of public monuments. Their narratives reflect memories of historic triumph, expressions of hope in the face of adversity, or simply reflection in the wake of tragedy; exemplified by Edna Manley’s Negro Aroused sculpture, the monuments of the National Heroes Park, and the Secret Gardens monument, which are all located in Downtown Kingston. Secret Gardens was commissioned by the Kingston and St Andrew Corporation, the local government authority, to commemorate children who die under tragic or violent circumstances and the local media recently reported that no more space was left to add further names—a very sad reflection of the vulnerability of children in Jamaican society.