Here is the first of five sectional introductions to the main themes in the Kingston – Part 1: The City and Art exhibition, which opens on July 31. The sectional introductions were written by the exhibition curator, Monique Barnett-Davidson, Assistant Curator at the NGJ:
Natural resources have been used for the creation of artworks in Jamaica for all of the island’s known history. The Jamaican Taino and their ancestors, who had begun settling in the island from as early as circa 650 AD, utilized wood, charcoal, plant fibres, animal bone, stone and clays. Later arrivals to the island, mainly Europeans and Africans, also imported and syncretised art-making traditions and techniques and in doing so made great use of the natural bounty this land of wood and water had to offer. The objects featured in this section explore the use by local artists of four materials that are available in Kingston and its environs: tortoise shell, wood, alabaster gypsum, and clay.
The 17th century tortoise shell objects in this exhibition exemplify a creative industry that thrived in Port Royal Jamaica from circa 1672 to 1692, until the earthquake disaster. The name “tortoise” is a misnomer, since these objects are made from sea turtle shells while tortoises are their land-dwelling relatives. Four species of sea turtle that appear in Jamaica’s coastal waters but the shell most suitable for the creation of these objects is the Hawksbill Turtle shell. The tradition of using these shells to create decorative objects no longer continues, as the animals are now legally protected. However, one cannot deny the mastery and elegance of the examples featured in this exhibition. The Port Royal tortoise shell objects, most of them coomb cases and trinket boxes, appear to have been produced as mementoes and have their place of origin and production year inscribed on them. Some also feature early versions of Jamaica’s Coat of Arms. It has been argued that they qualify as Jamaica’s first examples of “tourist art.”