“Annabella and Peter Proudlock Collection” Opens at National Gallery’s Last Sundays on July 30

The National Gallery of Jamaica’s new exhibition, the Annabella and Peter Proudlock Collection, will open on Sunday, July 30, 2017. Paul Issa will be the guest speaker at the function, which will start at 1:30 pm, and this will be followed by a musical performance by singer Stephanie.

The Annabella and Peter Proudlock Collection exhibition documents some fifty years of collecting, mostly of Jamaican art but also of art and craft from elsewhere in the Caribbean and Central America. The exhibition also tells the story of a particularly group of people who made their lives in post-Independence Jamaica and who were deeply immersed in the cultural and artistic developments of that moment, to which they actively contributed.

Annabella Ogden Proudlock, who had been a successful fashion model in London in the 1960s, moved to Jamaica with her first husband David Ogden in 1966. David Ogden became a partner in Perry Henzell’s Vista Productions company, which did pioneering work in film and television production in Jamaica, and Annabella started working with Operation Friendship, an inner-city programme for children where she first taught and later directed the Christmas card programme. They had two children, Sebastian and Jessica.  After David died in 1978, Annabella moved her young family from Kingston to Ocho Rios and entered the local craft industry with her Annabella Boxes, finely wrought cedar boxes decorated with Jamaican art reproductions that remain as classic Jamaican craft items to the present day. Annabella then teamed up with a group of friends—the artists Graham Davis and Dawn Scott, the architect Ben Eales, and, soon also, the chartered accountant Peter Proudlock, who became Annabella’s second husband—to restore Harmony Hall, a 19th century Methodist manse in Tower Isle, St Mary. Harmony Hall opened in 1981, with Annabella as the Managing Director, and quickly established itself as the premier art gallery on the Jamaican North Coast, with regular exhibitions and ongoing stock display of local art and craft. While Harmony Hall has shown a wide range of art and artists, the Gallery is best known for its association with the Intuitives, with the much-anticipated annual Harmony Hall Intuitives exhibitions and regular solo exhibitions. Annabella Proudlock was actively involved in scouting new talent and maintained a close supportive relationship with the new and older Intuitives, and this approach also carried over in her involvement in craft development, for which the annual Easter Craft Fairs were a major outlet. Annabella passed away in 2015 and Peter Proudlock in 2016, which marked the end of an era in Jamaican art.

 

 

Illustrating the extent to which art collections are also historical artefacts, much of the work in the Annabella and Peter Proudlock Collection is directly associated with the Proudlocks’ involvement with Harmony Hall and its artists, and the Harmony Hall building even appears as a regular subject. The exhibition also includes several works that Annabella collected before Harmony Hall was established, art works and craft items that were collected during their many travels in the Caribbean and Central America, and a few key works that were first in Annabella and Peter’s collection but are now owned by others. The Proudlocks actively lived with their collection, which could be found in all parts of their home, including the spectacularly decorated kitchen, and the exhibition therefore also speaks about living with art. The exhibition also includes photographs and documentary material on the lives of Annabella, David Ogden, Peter Proudlock and their family and friends, and, of course, on Harmony Hall.

The guest speaker on Sunday, July 30,  Paul Issa, who was long-time friend of Annabella and Peter Proudlock, is a well-known Jamaican hotelier, philanthropist and actor. He is Deputy Chairman of the House of Issa and its subsidiary Issa Hotels & Resorts Ltd. which owns and operates Couples Resorts, and he is Chairman of the Issa Foundation.

Stephanie

Stephanie is a singer, songwriter and model, whose reggae fusion sound incorporates the essence of reggae, R&B, soul, dancehall, and pop. After a stint with the Ashearibbean Performing Arts Company, where she trained and toured as a singer, dancer, and musical theatre actor, Stephanie provided backing vocals for local and international artists, such as the Basque Band singer Fermin Muguruza and reggae acts such as Groundation, Cherine Anderson, Coco Tea, Chaka Demus & Pliers and Mr Vegas. She also recorded two studio albums with Sly & Robbie for Sony Music Japan. Along with Chantelle Ernandez and Scantana, she formed the group UNITZz, whose two albums J Paradise and J Lovers gained tremendous success in Japan. A seasoned songwriter, Stephanie is signed to Rebel America Inc (a production and publishing company in Dallas, Texas) where she writes and records songs for placements on television shows, movies, international ad campaigns, and labels. In February of 2013 Stephanie founded the indie record label Havatio Music. Her debut EP Real Woman and debut album The Christmas Collection were released by Havatio in 2013 to rave reviews. Additionally, along with a group of music industry professionals, Stephanie is a Director for the Gungo Walk World Alternative Music and Arts Festival that is held annually at the Edna Manley College.

The opening of the Annabella and Peter Proudlock Collection coincides with the National Gallery’s Last Sundays programme for July 2017. While the opening function starts at 1:30 pm, and will be followed by the musical performance, the National Gallery’s doors will, as usual, be open from 11 am to 4 pm. The event is open to the public and admission is free; all are cordially invited. Contributions to the donations box are gratefully accepted and the gift and coffee shops will also be open. Proceeds are used to fund exhibitions and programmes such as Last Sundays.

Last Sundays – June 25, 2017: feat. EarthKry

The National Gallery of Jamaica’s Last Sundays programme for June 25, 2017, will feature a special exhibition of Selections from the National Collection and music by EarthKry.

The EarthKry band was born and nurtured within the halls of the Edna Manley College of The Visual & Performing Arts in Kingston Jamaica. Their journey began in 2012 with a twist of fate which brought together lead singer and guitarist Aldayne Haughton, keyboard player Phillip McFarlane, drummer Kieron Cunningham and bass guitarist Kamardo Blake, to play a series of small gigs. Drawing inspiration from Bob Marley and The Wailers, The Beatles, John Holt, Black Uhuru and Steel Pulse, the group soon cemented a wholesome fusion of Roots Reggae, Souls and Rock genres for a fresh but universal sound. The band chose its name, EarthKry, to signify its mission to voice the grievances of the downtrodden through the vibrations of their music. Befittingly, their debut single 9 to 5 echoes the daily tribulations of the working class who are barely able to make ends meet from their menial wages.

In April 2015 EarthKry entered The Ostroda Festival’s World Reggae Contest with their 9 to 5 single where they became the only Jamaican band to make it to the top ten, placing 7th out of 102 entries from across the globe. With a series of live performances at local hot spots they have already begun making their mark on the local scene, impressing their audience most notably at Merritone’s 25th Anniversary Show, Chronixx’ Capture Land Tour, and Rebel Salute 2016. Through the guidance of musicians Nambo Robinson and Maurice Gordon, the band released their first E.P Hard Road in October 2015 during their island Hard Road Tour, followed by their US tour of 10 states. Their debut album SURVIVAL will be released on June 30.

 

EarthKry

Visitors will also be able to view the Edna Manley Galleries, the Historical Galleries, and as well as a temporary exhibition consisting of selections from the Gallery’s modern Jamaican collection, featuring major works by Edna Manley, Barrington Watson, Albert Huie, Marlon James, Eugene Hyde, Ebony G. Patterson, Everald Brown, Colin Garland, David Pottinger, Gloria Escoffery, Prudence Lovell, Renee Cox, Cosmo Whyte, and others.

The National Gallery of Jamaica’s doors will be open from 11 am and close at 4 pm on Sunday, June 25, 2017 and the programme will start at 1:30 pm. As is customary, admission will be free and there will also be free tours of the Permanent Collection. Contributions to the National Gallery’s donations box are as always appreciated. The National Gallery gift and coffee shops will be open for business and proceeds from these ventures help to fund programmes such as Last Sundays as well as our exhibitions.

Last Sundays, May 28, 2017 – Feat. Tsunami Scarecrow, Wayne McGregor and Friends, Jamaica Biennial 2017, and Arts in the Park

The National Gallery of Jamaica is pleased to present a special edition of its Last Sundays programme for May 28, 2017, which features Tsunami Scarecrow, a short film on David Marchand, which starts at 1:00 pm, followed by a musical performance by Wayne McGregor and Friends, which starts at 1:30 pm. Visitors will also have the opportunity to view the Jamaica Biennial 2017, which closes on that day. The Last Sundays programme for May 28 will run concurrently at two locations, at the National Gallery of Jamaica itself and at Devon House, where the National Gallery is on that day participating in the Arts in the Park programme of the Ministry of Culture, Gender, Entertainment and Sport and where part of the Jamaica Biennial 2017 can also be seen. The programme at Devon House includes a round table discussion on the Jamaica Biennial 2017 which will take place at the East Lawn Gazebo from 2:30 to 4:00 pm.

Directed, written and produced by Chloe Walters-Wallace, Tsunami Scarecrow, shot from 2010-2014 in Runaway Bay Jamaica, is a short documentary on the “controversial, fluorescent, comical, extreme, kinky and sacrosanct,” David Marchand. Marchand, who recently passed away, was an infamous fine artist who seemingly veered on the border of mania and apt intelligence. He was at once a starving artist and self-proclaimed prophet from the lineage of the biblical King David, patiently awaiting the arrival of a tsunami he foresaw in a vision destined to destroy the island of Jamaica in one fell swoop.

Musical entertainment will be provided by the band Wayne McGregor and Friends. Lead singer Wayne McGregor, is a songwriter and guitarist who has played for many years on the local music scene. He has been a fixture in the local rock and blues live music scene since the 1990s. Joining McGregor will be Andre ‘Spyda’ Dennis, long-time session musician and keyboardist for internationally acclaimed reggae band Raging Fyah, and veteran percussionist and jazz musician Mbala Mgobo.

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Last Sundays, April 30, 2017 – feat. Shashame and the Jamaica Biennial 2017

The National Gallery of Jamaica’s Last Sundays programme for April 30, 2017 will feature the Jamaica Biennial 2017 exhibition and a screening of the film documentary, Shashamane, On the Trail of The Promised Land.

The film explores the narratives of a number of settlers of African-descent from across the world, who have been living in Shashamane – a 200-hectare plot of land in Ethiopia, located 250 km south of Addis Ababa. The land was donated to all blacks in the world by the Emperor of Ethiopia Hailé Selassie in 1950. Ras Mweya Masimba is one of the key characters in the film, he moved to Shashamane in 1990. He is an English-born artist of Jamaican origins who depicts the deeds of his people in his animated films. Today African descendants from around the world — France, Jamaica, the United States, the United Kingdom, and various Caribbean islands – live in Shashamane. All of them were motivated by the desire for self-affirmation, after centuries of humiliation, and a longing to bring up their children in a nurturing context devoid of racism, making of tangible reality of the famous “Exodus” sung by Bob Marley.

The director of Shashamane, On the Trail of The Promised Land, Guilia Amati is an Italian-French filmmaker. She has directed several ads and commercials for corporations, NGOs and International organizations such as the FAO and Caritas International. In 2010 she co-directed, with Stephen Natanson, the feature-length documentary This Is My Land…Hebron, which won more than twenty awards, including the Aljazeera International Documentary Film Festival, the Festival International du Film des Droits de l’Homme de Paris, the Buenos Aires Human Rights Film Festival, and the Italian foreign press association’s Golden Globe Prize. The film also earned a special mention at the Nastri D’Argento, where it was a finalist for the David di Donatello Award and was selected by the Human Rights Watch Film Festival for their festivals in London, New York and Chicago. Shashamane is Amati’s second feature-length film.

Visitors will also be able to view the critically acclaimed Jamaica Biennial 2017 exhibition, which opened with a series of events from February 24 to 26 and continues until May 28 at three locations, the National Gallery of Jamaica itself, Devon House in New Kingston and National Gallery West in Montego Bay. The exhibition features the work of more than 90 artists in a variety of media and styles, including that of six international invitees – David Gumbs, Andrea Chung, Jodie Lyn-Kee-Chow, Raquel Paiewonsky, Marcel Pinas, and Nadia Huggins – and also features two special tributes to noted Jamaican artists — the painter Alexander Cooper and the late photographer and videographer Peter Dean Rickards.

The National Gallery of Jamaica’s doors will be open from 11 am to 4 pm on Sunday, April 30, 2017 and the film will start at 1:30 pm. As is customary for Last Sundays, admission will be free at the National Gallery of Jamaica’s Downtown Kingston location, and there will also be free tours of the exhibition. The Devon House location will also be exceptionally open from 11 am to 4 pm on April 30 and National Gallery West will as usual be open from 9 am to 5 pm. Regular admission rates will apply at both National Gallery West and at Devon House.

Last Sundays – March 26, 2016: feat. the Jamaica Biennial 2017 and BLACKasCOLE

The National Gallery of Jamaica’s Last Sundays programme for March 26, 2017, will feature the Jamaica Biennial 2017 and a special musical performance by BLACKasCOLE.

Fronted by songstress Cecile Black, BLACKasCOLE’s performance style is a fusion of different genres: Alternative, Blues, Gospel, R&B, Reggae/Dub-Rock which they have integrated into a base component of Reggae and Dub; the result is a new genre that the band calls Jam-on-Dub. The band emerged from the UWI Pop society at the Mona campus and has been in existence for three years now. Its goal is to “to ignite your hearts with conscious uplifting messages of truth and love.” BLACKasCOLE performs mostly original material and cover versions are usually interpretations of songs with personal significance. The band has graced a number of stages performing several times at the Jamaica Jazz & Blues Festival and venues such as Red Bones Blues Cafe’; Jamnesia; and Plug ‘n’ Play at the Jonkanoo Lounge of the Wyndham Hotel, to name a few. Their last performance at the National Gallery, three years ago, was extremely well received by our audience and we are particularly pleased to welcome back BLACKasCOLE, for what is guaranteed to be a phenomenal Last Sundays appearance.

Visitors will be able to view the critically acclaimed Jamaica Biennial 2017 which opened in late February 2017 at three locations: the National Gallery of Jamaica on the Kingston waterfront, Devon House in New Kingston and National Gallery West in Sam Sharpe Square, Montego Bay. Featuring a diverse mix of locally and overseas based artists, some of them well known and others emerging or new, the 2017 edition of the Jamaica Biennial reflects the vitality of the Jamaican art scene and the complex global dynamics that shape the art of the Caribbean region today. As was first done in 2014, the Jamaica Biennial features six specially invited international artists, from the Caribbean and its Diaspora—Jodie Lyn-Kee-Chow, Raquel Paiewonsky, Marcel Pinas, Nadia Huggins at the National Gallery of Jamaica; Andrea Chung at Devon House; and David Gumbs at National Gallery West—and the exhibition also includes two special tributes to noted Jamaican artists—Alexander Cooper and Peter Dean Rickards, both of which can be viewed at the National Gallery of Jamaica. The exhibition includes work in conventional media and styles as well as more experimental work in digital and other contemporary media, including several mixed media installations. The largest and arguably the most ambitious such exhibition staged to date by the National Gallery, the Jamaica Biennial runs at all three locations until May 28, 2017.

The National Gallery of Jamaica’s doors will be open from 11 am to 4 pm on Sunday, March 26, 2017 and the programme will start at 1:30 pm. As is customary for Last Sundays, admission will be free at the National Gallery of Jamaica’s downtown Kingston location and there will also be free tours of the Jamaica Biennial 2017. The Devon House location will also be exceptionally from 11 am to 4 pm and National Gallery West will be open from 9 am to 5 pm. Regular admission rates will apply at both National Gallery West and at Devon House.

Last Sundays, January 29, 2017, feat. Spiritual Yards and Javada

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The National Gallery of Jamaica’s Last Sundays programme for January 29, 2017, will be the last chance to see the Spiritual Yards Home Ground of Jamaica’s Intuitives Selections from the Wayne and Myrene Cox exhibition, which closes on that day.  There will also be a musical performance by emerging artiste Javada.

Consisting entirely of works from the collection of Wayne and Myrene Cox Collection, the Spiritual Yards exhibition explores the work of Intuitive artists who produced sacred images and objects which are rooted in Revival religions, Rastafari or their individual spiritual beliefs, and are representative of the “spiritual yard” tradition in Jamaica, which is an important yet insufficiently documented part of Jamaica’s popular cultural heritage. Spiritual Yards features the work of ten such artists, namely Errol Lloyd “Powah” Atherton, Vincent Atherton, Everald Brown, Pastor Winston Brown, Leonard Daley, Reginald English, Elijah (Geneva Mais Jarrett), William “Woody” Joseph, Errol McKenzie, and Sylvester Stephens, along with rare photographs and video material on their life, work and spiritual yards from the Wayne and Myrene Cox archives. The exhibition has achieved significant visitor acclaim and is a must-see before it closes.

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Born Nevada Myrie, the deejay, lyricist and performer Javada grew up in East Kingston where he spent much of his time listening to and emulating his favourite deejays Bounty Killa, Shabba Ranks, Terror Fabulous and Buju Banton. Javada is a former member of dancehall star, Konshens’ Subkonshus Music Group label, and has performed on major stages in Europe, Africa, USA, and the Caribbean, as Konshens’ opening act. He has also recorded and released a number of songs with Konshens, most notably, Say Di Word (ZJ Liquid, H2O Records), and Gyal Dem Ready.  His big voice, commanding stage presence, and a warm personality brought this dynamic deejay and songwriter to the attention of Spanish superstar singer, Enrique Iglesias, who featured Javada on the 2016 Billboard charting, ‘Spanglish’ remix of his song, Duele El Corazón (The Heart Aches). Javada’s music in 2016 also reached the international airwaves with the single Wake Up Beside You, on the Cold Heart Riddim (Robert Livingston, Scikron Entertainment) and the song has quickly become a regular choice on radio, club and sound systems playlists in several African countries and in the African Diaspora. Javada’s most recent single, In Deh (Dre Day Productions) is on the same trajectory, receiving regular air and club play within the African Music market and also on local stations.

The National Gallery of Jamaica’s doors will be open from 11 am to 4 pm on Sunday, January 29, 2017 and the musical programme will start at 1:30 pm. As is customary, admission will be free and there will also be free tours of the National Collection, but contributions to the National Gallery’s donations box are always appreciated. The National Gallery gift and coffee shops will be open for business and proceeds from these ventures help to fund programmes such as Last Sundays as well as our exhibitions.