Like any major capital city, Kingston is a proverbial land of opportunity and a microcosm of social development in Jamaica. And like its predecessor Port Royal, it is a point of intersection, the juncture of a myriad of commercial and cultural pathways. One needs to look no further than the intensely trade- and business-oriented areas of Downtown, the Waterfront, our natural harbour (the seventh largest in the world), or the Crossroads and Half Way Tree areas. Artists have always been active participants and beneficiaries in these intersections, by participating in these exchanges and commercial opportunities, and by representing them in their work.
This section features pre-twentieth century itinerant artists such as Frenchman Adolphe Duperly, who operated his commercial photography and lithography studio, Adolphe Duperly and Son, at 85 King Street in Kingston. Duperly published a number of images of early Jamaican places, people and events such as the Daguerian Excursions (c1844), a series of lithographs of island scenes that were originally produced as daguerrotypes. Duperly is generally credited as the one who introduced photographic technology to Jamaica in the 1840s.
Duperly also collaborated with the Kingston-born lithographer and painter, Isaac Mendes Belisario who is famous for his 1837-1838 lithograph publications Sketches of Character in Illustration of the Habits, Occupation and Costume of the Negro Population in the Island of Jamaica. Despite the problematic ideological questions raised by Belisario’s images, the Christmas Amusements and Cries of Kingston have become icons of heritage that inform the memory of our enslaved, apprenticed, and later emancipated Jamaican fore-parents, as they worked and celebrated the gift of life and culture during times of great colonial oppression. Continue reading