We Have Met Before – Ingrid Pollard

We Have Met Before opens at the National Gallery of Jamaica on September 22 and continues until November 4. The works selected for this exhibition represent a conversation on the histories of Slavery, the Transatlantic trade, and its present-day implications. The exhibition is staged in partnership with the British Council. Ingrid Pollard is one of the four artists featured.

Bio

Ingrid Pollard was born in 1953 in Georgetown, Guyana and is based in London. Pollard completed a BA in Film and Video at the London College of Printing in 1988. She went on to complete an MA in Photographic Studies at Derby University in 1995 and obtained a PhD from Westminster University in 2010. She lectures in Photography at Kingston University. Ingrid Pollard played an important role in early 1980s photography in Britain, documenting black people’s creativity and presence in photographic series that question social constructs such as Britishness and racial difference. Her work is included in major collections internationally and nationally in Tate Britain and the Victoria & Albert Museums in the UK.

 

Ingrid Pollard

About the Work

Ingrid Pollard works mainly in analogue photographic media, with emphasis on the materiality of the photographic media and processes. The Boy Who Watches Ships Go By (2002) is the oldest body of work in We Have Met Before and consists of images of land, sea, boats and historical documents that subtly evoke the histories, visible and invisible, of Sunderland Point in northern England, which was once a thriving seaport in the Triangular Trade. The resulting narrative revolves around the story of Sambo, a young boy and servant, presumably enslaved, who travelled with the captain of the Globe from Kingston, Jamaica, who fell ill and died when he arrived in England. His death, it was believed, was from a disease he allegedly contracted in England to which he had no immunity; and acts as a metaphor for the fate of those who lost their lives and freedom as a result of their contact with European slave traders. Sambo was, according to local lore, buried at Sunderland Point in 1739.

 

Ingrid Pollard website: www.ingridpollard.com

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Last Sundays on 24, 2017 to Feature Quilt

The National Gallery of Jamaica’s Last Sundays programme for September 24, 2017 will feature the Quilt Performing Arts Company. Visitors will also be able to view the We Have Met Before and the Annabella and Peter Proudlock Collection exhibitions.

The Quilt Performing Arts Company was born out of a need for a fresh, new, innovative way of creating performance art. Using Caribbean rhythms, merging poetry, music and dance, the Quilt performers have developed their own unique performance style and an evolving theatre technique. Artistic director Rayon Mclean and his team continue break boundaries and redefine performance spaces, and this time the women in the company will be quilting from their heART through music, poetry and dance. The show is called #POW- Patches of Women. This is Quilt’s third time at the National Gallery. Continue reading

Panel Discussion on “We Have Met Before” on September 23 @1:30 PM

We Have Met Before opens at the National Gallery of Jamaica on September 22 and is staged in partnership with the British Council. The exhibition features Graham Fagen (Scotland), Joscelyn Gardner (Barbados/Canada), Ingrid Pollard (Guyana/UK), and Leasho Johnson (Jamaica) and revisits the challenging but important subject of trans-Atlantic slavery and its afterlives in the contemporary world, interpreted by four artists with distinctive perspectives.

As part of the accompanying programmes for We Have Met Before, the National Gallery of the Jamaica and the British Council will present a panel discussion on the issues raised by the exhibition on Saturday, September 23, starting at 1:30 pm. The panel will consist of three of the artists in the exhibition, Graham Fagen, Joscelyn Gardner and Ingrid Pollard, while Deborah Anzinger will speak about Leasho Johnson’s work. The panel will be moderated by Shani Roper, acting Director/Curator of Liberty Hall, the Legacy of Marcus Garvey.

The panel discussion, which will take place at the National Gallery of Jamaica, is free and open to the public and those in attendance will also have the opportunity to view the exhibition, which continues until November 4, 2017.

“We Have Met Before” – Introduction

 

 

We have met before. Four centuries separate our first meeting when Prospero was graced with the role of thief, merchant and man of God. Our hero was ‘the right worshipfull and valiant night Sir John Haukins, sometimes treasurer of her Majesties navie Roial’; and it is his first Voyage in search of human merchandise.

George Lamming – The Pleasures of Exile (1960)

We Have Met Beforewhich will be on view at the NGJ from September 22 to November 4, reflects on the question of historical forgetfulness and the capacity of art to unearth and to shed new light on what is forgotten or supressed. The four artists—Graham Fagen from Scotland, Joscelyn Gardner from Barbados and Canada, Leasho Johnson from Jamaica and Ingrid Pollard from Guyana and England— and the works selected for this exhibition represent a conversation on the histories of Slavery, the Transatlantic trade, and its present-day implications. Each artist brings a distinctive perspective to this subject area, with work that was created in different locales, different media, from different experiences, and at different points in time.

These subjects are of course not new and commonly appear in modern and contemporary art from the Caribbean and its Diaspora, as well as in other art forms such as dance, drama, literature and music. In Jamaica, the subjects hold a central position in Garvey and Rastafari culture, which has produced a recognizable African Zionist iconography that is prominent in the popular visual culture and the visual arts. The histories of slavery have been very contentious as a subject area in Caribbean art and this is particularly pronounced in public art, as was best illustrated by the intense controversy about Laura Facey’s Redemption Song (2003), Jamaica’s de facto Emancipation monument. This controversy raised many questions about the representational choices and the equally contentious issue of who can legitimately speak about this subject.

We Have Met Before revisits this complex and contentious territory, and acknowledges that much has been suppressed and left unsaid, especially by the former colonizers. The exhibition argues that the subject area needs to be approached as part of an ongoing conversation, in which there is no final word and in which it must be possible for various perspectives to be expressed. The resulting conversations may be difficult but they are necessary, as they are central to the histories that have shaped and continue to shape the contemporary Caribbean world, and it is hoped that this exhibition will contribute to this process. Continue reading

SAVE THE DATE – “We Have Met Before” Opens on September 22

The National Gallery of Jamaica in partnership with the British Council will be hosting an art exhibition from September 22-November 4, 2017. The show is entitled: We Have Met Before and features Graham Fagen, Joscelyn Gardner, Ingrid Pollard, and Leasho Johnson.

This exhibition revisits the challenging subject of trans-Atlantic slavery and its afterlives in the contemporary world, seen through the eyes of four contemporary artists. Each artist brings a distinctive perspective with work that was created in different locales, different media, and at different points in time.

Continue reading