“Daylight Come…Picturing Dunkley’s Jamaica” to open at National Gallery’s on Last Sundays on May 27, 2018

The National Gallery of Jamaica’s Last Sundays programme for the month of May will mark the opening of a new exhibition Daylight Come…Picturing Dunkley’s Jamaica. It will also feature a special ensemble musical performance as part of Lupus Awareness month activities.

Daylight Come…Picturing Dunkley’s Jamaica complements the John Dunkley: Neither Day nor Night exhibition which opened on April 29.This retrospective of Dunkley’s work was curated by independent curator Diana Nawi, formerly of the Perez Art Museum Miami (PAMM), and Nicole Smythe-Johnson, independent Jamaican curator and writer. Originally shown at PAMM in 2017, this version includes six works that were not part of that initial exhibition.

John Dunkley – Diamond Wedding (1940), Collection: National Gallery of Jamaica (Gift of Cassie Dunkley)

This new exhibition Daylight Come… explores themes such as tourism, immigration and the emergence of cultural nationalism in Jamaica during Dunkley’s lifetime. The exhibition provides further context to Dunkley’s creative output; exploring the works of his contemporaries David Miller Snr and David Miller Jnr, Carl Abrahams, Albert Huie, David Pottinger, Ralph Campbell and Henry Daley among others. This exhibition will be on view until July 29, 2018.

The Millers in 1964

May is Lupus Awareness Month and the special musical performance this Last Sundays serves as one of the activities to raise awareness to this life-altering disease. The music, poetry and dance that will be performed are all inspired by the emotional states experienced by someone with Lupus. The various performers include members of the Philharmonic Orchestra of Jamaica, the Jamaica Youth Chorale, the Porter Centre for Knowledge and The Music House.

Edna Manley – Prayer/Kneeling Figure, (1937)

As is now customary for our Sunday programmes, the doors will be open to the public from 11 am to 4 pm and the special musical performance starts at 1:30 pm. Admission and guided tours will be free. The gift and coffee shop will also be open for business.

 

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David Miller Snr. (1872-1969) and David Miller Jnr. (1903-1978)

David Miller Snr. - Talisman (c1940), Collection: National Gallery of Jamaica, Aaron and Marjorie Matalon Collection

As we continue the work of reinstalling our permanent exhibitions, we have recently reopened our Early Intuitives gallery, as the first gallery of the modern Jamaican art exhibition to be completed. This gallery features the work of three artists, John Dunkley, David Miller Snr. and David Miller Jnr. We have already presented a post on John Dunkley and now present one on two the Millers who were, like Dunkley, based in downtown Kingston, where they lived and worked at 8 Bray Street.

David Miller Snr. began his career in the early years of the twentieth century as a carver of curios for the tourist trade.  His earliest known works are fully within the late nineteenth century tradition of “coconut shell carving” where decorative floral motifs were etched into the hard shell of the coconut which had been fashioned into a lidded container. During the early twenties he was carving curios in wood; these were principally “negro heads” and a variety of animals. Continue reading