Jamaica Biennial 2017 – Bulletin 5: The Biennial @ Devon House

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Deborah Anzinger – A Piercing Cold Where We Meet (2017, digital study)

The 2014 edition of the National Gallery of Jamaica’s Jamaica Biennial was shown at multiple venues—a first for this exhibition in Jamaica—and this included Devon House, the original home of the National Gallery and one of Kingston’s main heritage sites. Devon House was included as part of the National Gallery’s fortieth anniversary celebrations, as a home-coming of sorts, but also in response to the Devon House Management’s invitation to organize regular joint exhibitions.

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Laura Facey – Bumpy Top Desk and Mirror (2016)

The Jamaica Biennial 2014 at Devon House featured work by Laura Facey, Ebony G. Patterson (who won the Biennial’s Aaron Matalon Award that year), Greg Bailey, Cosmo Whyte, James Cooper, and Oneika Russell, and was one of the most popular and critically acclaimed parts of the exhibition. The approach taken was for the works selected to be installed the Devon House mansion interior, alongside or in replacement the regular furniture and art works, and, in the case of Laura Facey, also in the formal gardens in front of the house. The result was a rich dialogue between the history and context of the house—which was built and owned by Jamaica’s first black millionaire, George Stiebel, in 1881—and the issues raised in the art works, such as the historical and contemporary dynamics of race and class, the politics of visibility and invisibility in the face of social violence, and our relationship to the natural environment.

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Sharon Norwood – Root of the Matter XI (2016)

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Jamaica Biennial 2017 – Bulletin 3: Main Opening Function on February 26

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The main opening function of the Jamaica Biennial 2017 exhibition will take place at the National Gallery of Jamaica on the Kingston Waterfront on Sunday, February 26, starting at 1:30 pm. The keynote speaker will be the Hon. Olivia Grange, MP, Minister of Culture, Entertainment, Gender and Sport, and there will be several live performances by participating artists. Deejay Iset Sankofa will spin music.

With more than 160 works of art by more than 90 artists shown at three different locations—the National Gallery and Devon House in Kingston and National Gallery West in Montego Bay, the Jamaica Biennial 2017 is the largest such exhibition in the National Gallery’s history. It provides a dynamic and diverse overview of current art from Jamaica, elsewhere in the Caribbean and the Diaspora in all artistic media, including painting, sculpture, ceramics, textile and fibre art, photography, installation and new media. The exhibition has four components: special projects by international invitees; tribute exhibitions to two noted Jamaican artists; contributions by the artists who have invited status; and what was selected from the juried submissions—the latter two sections include artists who are born or based in Jamaica and artists of Jamaican descent who live elsewhere.

The resulting Jamaica Biennial 2017 offers a healthy and at times provocative mix of new, emerging and established artists, including recent graduates of the Edna Manley College such as Ziggie Graver and Kelley-Ann Lindo; artists who have never exhibited before such as Nathan Cunningham, who is self-taught; and as well as well-known artists such as Samere Tansley, Marlon James, Laura Facey, David Boxer, Deborah Anzinger, Prudence Lovell, Storm Saulter, Phillip Thomas, Bryan McFarlane, Petrona Morrison, Shoshanna Weinberger, Jasmine Thomas-Girvan and many others. The special projects are by Andrea Chung, David Gumbs, Nadia Huggins, Jodie Lyn-Kee-Chow, Raquel Paiewonsky, and Marcel Pinas—all of them artists with Caribbean roots or based in the Caribbean—while the two tribute exhibitions provide overviews of the work of Alexander Cooper and the late Peter Dean Rickards.

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