For some time now, the NGJ has been refurbishing and reinstalling its permanent collections and in 2010 we started work on the modern Jamaican section, “Jamaican Art: the 20th Century”. We have now continued this process and incorporated into this section a gallery with selections from the A.D. Scott Collection, a major group of donations to the NGJ that provide a vivid picture of Jamaican art in the post-Independence decades. Scott was very actively involved in the art of that period, by means of the Contemporary Jamaican Artists’ Association, which he chaired for many, his friendships with Barrington Watson, Eugene Hyde and Karl Parbooshingh, and the 1974 establishment of the Olympia International Art Centre. With the Barrington Watson retrospective currently on view, until April 14, and the Jamaica 50 observations in progress, we could not think of a better moment to open this new section of our permanent exhibitions. Here is more about A.D. Scott and the A.D. Scott Collection:
Ainsworth David Scott, OD (1912-2004)
A.D. Scott, or ‘Scotty” as he was affectionately referred to by those familiar with him, was born in Kingston, Jamaica on January 27, 1912. A.D. Scott was among the first to attend the Kingston College which was established in 1925.
Later, he studied at the McGill University in Montreal, Canada, gaining a Bachelors Degree in Civil Engineering. Whilst in Canada, he further developed his skills as a highly competent engineer, securing key positions including Senior Assistant Engineer in the Royal Canadian Air Force and engineer-in-charge of Aerodrome Construction for the Canadian Government. Upon his return to Jamaica in 1945, he was appointed engineer-in-charge of construction for the University College of the West Indies. His later contributions to national infrastructural development would include the construction of the U.W.I Chapel, the National Stadium and the Hope Reservoir, earning him the title of Jamaican Master Builder.