“Annabella and Peter Proudlock Collection” Opens at National Gallery’s Last Sundays on July 30

The National Gallery of Jamaica’s new exhibition, the Annabella and Peter Proudlock Collection, will open on Sunday, July 30, 2017. Paul Issa will be the guest speaker at the function, which will start at 1:30 pm, and this will be followed by a musical performance by singer Stephanie.

The Annabella and Peter Proudlock Collection exhibition documents some fifty years of collecting, mostly of Jamaican art but also of art and craft from elsewhere in the Caribbean and Central America. The exhibition also tells the story of a particularly group of people who made their lives in post-Independence Jamaica and who were deeply immersed in the cultural and artistic developments of that moment, to which they actively contributed.

Annabella Ogden Proudlock, who had been a successful fashion model in London in the 1960s, moved to Jamaica with her first husband David Ogden in 1966. David Ogden became a partner in Perry Henzell’s Vista Productions company, which did pioneering work in film and television production in Jamaica, and Annabella started working with Operation Friendship, an inner-city programme for children where she first taught and later directed the Christmas card programme. They had two children, Sebastian and Jessica.  After David died in 1978, Annabella moved her young family from Kingston to Ocho Rios and entered the local craft industry with her Annabella Boxes, finely wrought cedar boxes decorated with Jamaican art reproductions that remain as classic Jamaican craft items to the present day. Annabella then teamed up with a group of friends—the artists Graham Davis and Dawn Scott, the architect Ben Eales, and, soon also, the chartered accountant Peter Proudlock, who became Annabella’s second husband—to restore Harmony Hall, a 19th century Methodist manse in Tower Isle, St Mary. Harmony Hall opened in 1981, with Annabella as the Managing Director, and quickly established itself as the premier art gallery on the Jamaican North Coast, with regular exhibitions and ongoing stock display of local art and craft. While Harmony Hall has shown a wide range of art and artists, the Gallery is best known for its association with the Intuitives, with the much-anticipated annual Harmony Hall Intuitives exhibitions and regular solo exhibitions. Annabella Proudlock was actively involved in scouting new talent and maintained a close supportive relationship with the new and older Intuitives, and this approach also carried over in her involvement in craft development, for which the annual Easter Craft Fairs were a major outlet. Annabella passed away in 2015 and Peter Proudlock in 2016, which marked the end of an era in Jamaican art.

 

 

Illustrating the extent to which art collections are also historical artefacts, much of the work in the Annabella and Peter Proudlock Collection is directly associated with the Proudlocks’ involvement with Harmony Hall and its artists, and the Harmony Hall building even appears as a regular subject. The exhibition also includes several works that Annabella collected before Harmony Hall was established, art works and craft items that were collected during their many travels in the Caribbean and Central America, and a few key works that were first in Annabella and Peter’s collection but are now owned by others. The Proudlocks actively lived with their collection, which could be found in all parts of their home, including the spectacularly decorated kitchen, and the exhibition therefore also speaks about living with art. The exhibition also includes photographs and documentary material on the lives of Annabella, David Ogden, Peter Proudlock and their family and friends, and, of course, on Harmony Hall.

The guest speaker on Sunday, July 30,  Paul Issa, who was long-time friend of Annabella and Peter Proudlock, is a well-known Jamaican hotelier, philanthropist and actor. He is Deputy Chairman of the House of Issa and its subsidiary Issa Hotels & Resorts Ltd. which owns and operates Couples Resorts, and he is Chairman of the Issa Foundation.

Stephanie

Stephanie is a singer, songwriter and model, whose reggae fusion sound incorporates the essence of reggae, R&B, soul, dancehall, and pop. After a stint with the Ashearibbean Performing Arts Company, where she trained and toured as a singer, dancer, and musical theatre actor, Stephanie provided backing vocals for local and international artists, such as the Basque Band singer Fermin Muguruza and reggae acts such as Groundation, Cherine Anderson, Coco Tea, Chaka Demus & Pliers and Mr Vegas. She also recorded two studio albums with Sly & Robbie for Sony Music Japan. Along with Chantelle Ernandez and Scantana, she formed the group UNITZz, whose two albums J Paradise and J Lovers gained tremendous success in Japan. A seasoned songwriter, Stephanie is signed to Rebel America Inc (a production and publishing company in Dallas, Texas) where she writes and records songs for placements on television shows, movies, international ad campaigns, and labels. In February of 2013 Stephanie founded the indie record label Havatio Music. Her debut EP Real Woman and debut album The Christmas Collection were released by Havatio in 2013 to rave reviews. Additionally, along with a group of music industry professionals, Stephanie is a Director for the Gungo Walk World Alternative Music and Arts Festival that is held annually at the Edna Manley College.

The opening of the Annabella and Peter Proudlock Collection coincides with the National Gallery’s Last Sundays programme for July 2017. While the opening function starts at 1:30 pm, and will be followed by the musical performance, the National Gallery’s doors will, as usual, be open from 11 am to 4 pm. The event is open to the public and admission is free; all are cordially invited. Contributions to the donations box are gratefully accepted and the gift and coffee shops will also be open. Proceeds are used to fund exhibitions and programmes such as Last Sundays.

Jamaica Biennial 2017 – Juried Artists: Leasho Johnson

From our Jamaica Biennial 2017 archives:

Leasho Johnson was born in St James, Jamaica, in 1984. He attended the Edna Manley College of the Visual and Performing Arts, where he obtained a BFA in Visual Communication in 2009. He is a founding member of the Dirty Crayons collective, which held local group exhibitions in 2012 and 2013. Johnson’s other exhibitions include Young Talent V (2010, National Gallery of Jamaica); Jamaican Pulse: Art and Politics from Jamaica and the Diaspora (2016, Bristol, United Kingdom); and the National Gallery of Jamaica’s Biennials since 2010. He has also participated in a number of artist residencies. In 2016, he participated in an artists’ residency at Bluecoat, a contemporary arts centre in Liverpool, United Kingdom, and he was awarded a residency at Residency Unlimited in New York City by the Davidoff Art Initiative. Johnson works in various media to explore the tensions and contestations in Jamaican culture and society, particularly in dancehall and its associated tropes. Leasho Johnson resides in Kingston, Jamaica. His contribution to the Jamaica Biennial 2017 was shown at Devon House.

Website: leasho.com

Jamaica Biennial 2017 – Juried Artists: Derval Johnson

Derval Johnson – Dinosaur: 2 Bald Pates (2016)

From our Jamaica Biennial 2017 archives:

Derval Johnson was born in St Thomas, Jamaica in 1985. He is a self-taught artist previously associated with Roktowa in Downtown Kingston. There, he developed craft pieces in wood and alabaster for commercial enterprise. Representing the continuity of Jamaican folk art in the twenty-first century, his work was featured in the Jamaica Biennial 2014. Johnson lives in Kingston, Jamaica.

Derval Johnson – Dinosaur Bird (2016)

Jamaica Biennial 2017 – Juried Artists: Andy Jefferson

Andy Jefferson – When Sugar Was King; Plantation Days (2016, 1 panel of diptych)

Another from our Jamaica Biennial 2017 archives:

Andy Jefferson was born in 1959, Ipswich, United Kingdom. He studied at the Plymouth College of Art and completed his BA in Fine Art Printmaking at the Exeter College of Art and Design in 1981. He has been active on the Jamaican art scene since 1984. Notable solo exhibitions have included 25 Years in Jamaica at the Pegasus Gallery (2007) and The Journey Continues at the Bolivar Gallery (2006), both in Kingston, and he has participated in National Gallery of Jamaica exhibitions such as Curator’s Eye III, Ceremony in Space and Sound (2008) and the National Biennial. Among other achievements, he has been awarded gold, silver and bronze medals for his entries in the Jamaica Cultural Development Commission’s (JCDC)’s National Visual Arts Exhibition and Competition. Jefferson is well-known as one of Jamaica’s principal printmakers. In recent times, he has extended his creative practice to include painting and sculpture. He is based in St Andrew, Jamaica.

Andy Jefferson – When Sugar Was King; Plantation Days (2016, 1 panel of diptych)

 

Jamaica Biennial 2017 – Juried Artists: Christopher Irons

Christopher Irons – Back Road (2016)

Another feature from our Jamaica Biennial 2017 archives:

Christopher Irons was born in 1973, in Portland, Jamaica, and is a graduate of the Edna Manley College of the Visual and Performing Arts. His works are predominately satirical commentaries on current social and political events in Jamaica manifested through assemblages consisting mainly of found objects. Irons has exhibited regularly in Jamaica as well as in Trinidad and Nigeria. In 2016, his work was featured in Jamaican Pulse: Art and Politics from Jamaica and the Diaspora exhibition, also held in 2016 at the Royal West of England Academy in Bristol, United Kingdom. He has been the recipient of the Commonwealth Fellowship and the Under 40 Artist of the Year Award in 2003. Irons is based in Buff Bay, Portland, Jamaica.

Christopher Irons – Back Road (2016)