Last Sundays on 24, 2017 to Feature Quilt

The National Gallery of Jamaica’s Last Sundays programme for September 24, 2017 will feature the Quilt Performing Arts Company. Visitors will also be able to view the We Have Met Before and the Annabella and Peter Proudlock Collection exhibitions.

The Quilt Performing Arts Company was born out of a need for a fresh, new, innovative way of creating performance art. Using Caribbean rhythms, merging poetry, music and dance, the Quilt performers have developed their own unique performance style and an evolving theatre technique. Artistic director Rayon Mclean and his team continue break boundaries and redefine performance spaces, and this time the women in the company will be quilting from their heART through music, poetry and dance. The show is called #POW- Patches of Women. This is Quilt’s third time at the National Gallery. Continue reading

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Last Sundays – August 27, 2017: feat. the Annabella and Peter Proudlock Collection and Janine Jkuhl

The National Gallery of Jamaica’s Last Sundays programme for August 27, 2017, will feature the Annabella and Peter Proudlock Collection exhibition as well as a musical performance by Janine Jkuhl.

The Annabella and Peter Proudlock Collection exhibition features selections from the collection of Annabella and Peter Proudlock, who were the principals of Harmony Hall gallery in Tower Isle, St Mary. It documents some fifty years of collecting, mostly of Jamaican art but also of art and craft from elsewhere in the Caribbean and Central America. The exhibition tells the story of Harmony Hall, which holds a unique position in the history of Jamaica’s commercial galleries as it has served the local and tourist markets, and focuses on its role in the promotion of Intuitive art. And it also tells the story of a particular group of people who made their lives in post-Independence Jamaica and who were deeply immersed in the cultural and artistic developments of that moment, to which they actively contributed.

Janine Coombs, also known as Jkuhl (pronounced Jay-Cool), is an eclectic singer-songwriter and also an eclectic listener who is influenced by many genres of music. She describes herself as “a beatific musician, songwriter and singer of Classical and IndiePop.” A graduate of the Edna Manley College of the Visual and Performing Arts, Janine Jkuhl recorded her first Album, STAR GAZE, in the summer of 2009. This album consists of ten inspirational Indie-Alternative-Fusion tracks, to inspire, heal and soothe the mind and soul of listeners. Since then, Janine has written numerous songs showcasing her developing style which she calls “Jkuhl.” She has been featured in RJR 94 FM’s Music Week Acoustiks Live Concert, the Gungo Walk Alternative Music and Art festival, the French Embassy’s Fete De La Musique, the JARIA Reggae Month Show, and the MUZAK Heart and Soul Noise Talent Show at the California State University, just to name a few. She has also been a guest soloist for the Diocesan Festival Choir of Jamaica Concert Series as well as the National Choral of Jamaica’s Elijah Tour. Her single Tempted was rated in the top ten songs of May 2016 on the USA Indie radio show, The John Wayne Show, Maven FM.

Visitors will also be able to view two other temporary exhibitions consisting of selections from the National Collection: New Dialogues and Art of Independence. Doors will be open to the public from 11:00 am to 4:00 pm; the musical programme will start at 1:30 pm. As is customary, admission will be free, along with free guided tours of the exhibitions. Our Gift and Coffee Shops will also be open for business. Proceeds from these as well as contributions to the National Gallery’s donation box are, as always, appreciated and are used to help fund programmes like Last Sundays as well as our exhibitions .

Last Sundays – June 25, 2017: feat. EarthKry

The National Gallery of Jamaica’s Last Sundays programme for June 25, 2017, will feature a special exhibition of Selections from the National Collection and music by EarthKry.

The EarthKry band was born and nurtured within the halls of the Edna Manley College of The Visual & Performing Arts in Kingston Jamaica. Their journey began in 2012 with a twist of fate which brought together lead singer and guitarist Aldayne Haughton, keyboard player Phillip McFarlane, drummer Kieron Cunningham and bass guitarist Kamardo Blake, to play a series of small gigs. Drawing inspiration from Bob Marley and The Wailers, The Beatles, John Holt, Black Uhuru and Steel Pulse, the group soon cemented a wholesome fusion of Roots Reggae, Souls and Rock genres for a fresh but universal sound. The band chose its name, EarthKry, to signify its mission to voice the grievances of the downtrodden through the vibrations of their music. Befittingly, their debut single 9 to 5 echoes the daily tribulations of the working class who are barely able to make ends meet from their menial wages.

In April 2015 EarthKry entered The Ostroda Festival’s World Reggae Contest with their 9 to 5 single where they became the only Jamaican band to make it to the top ten, placing 7th out of 102 entries from across the globe. With a series of live performances at local hot spots they have already begun making their mark on the local scene, impressing their audience most notably at Merritone’s 25th Anniversary Show, Chronixx’ Capture Land Tour, and Rebel Salute 2016. Through the guidance of musicians Nambo Robinson and Maurice Gordon, the band released their first E.P Hard Road in October 2015 during their island Hard Road Tour, followed by their US tour of 10 states. Their debut album SURVIVAL will be released on June 30.

 

EarthKry

Visitors will also be able to view the Edna Manley Galleries, the Historical Galleries, and as well as a temporary exhibition consisting of selections from the Gallery’s modern Jamaican collection, featuring major works by Edna Manley, Barrington Watson, Albert Huie, Marlon James, Eugene Hyde, Ebony G. Patterson, Everald Brown, Colin Garland, David Pottinger, Gloria Escoffery, Prudence Lovell, Renee Cox, Cosmo Whyte, and others.

The National Gallery of Jamaica’s doors will be open from 11 am and close at 4 pm on Sunday, June 25, 2017 and the programme will start at 1:30 pm. As is customary, admission will be free and there will also be free tours of the Permanent Collection. Contributions to the National Gallery’s donations box are as always appreciated. The National Gallery gift and coffee shops will be open for business and proceeds from these ventures help to fund programmes such as Last Sundays as well as our exhibitions.

Last Sundays, May 28, 2017 – Feat. Tsunami Scarecrow, Wayne McGregor and Friends, Jamaica Biennial 2017, and Arts in the Park

The National Gallery of Jamaica is pleased to present a special edition of its Last Sundays programme for May 28, 2017, which features Tsunami Scarecrow, a short film on David Marchand, which starts at 1:00 pm, followed by a musical performance by Wayne McGregor and Friends, which starts at 1:30 pm. Visitors will also have the opportunity to view the Jamaica Biennial 2017, which closes on that day. The Last Sundays programme for May 28 will run concurrently at two locations, at the National Gallery of Jamaica itself and at Devon House, where the National Gallery is on that day participating in the Arts in the Park programme of the Ministry of Culture, Gender, Entertainment and Sport and where part of the Jamaica Biennial 2017 can also be seen. The programme at Devon House includes a round table discussion on the Jamaica Biennial 2017 which will take place at the East Lawn Gazebo from 2:30 to 4:00 pm.

Directed, written and produced by Chloe Walters-Wallace, Tsunami Scarecrow, shot from 2010-2014 in Runaway Bay Jamaica, is a short documentary on the “controversial, fluorescent, comical, extreme, kinky and sacrosanct,” David Marchand. Marchand, who recently passed away, was an infamous fine artist who seemingly veered on the border of mania and apt intelligence. He was at once a starving artist and self-proclaimed prophet from the lineage of the biblical King David, patiently awaiting the arrival of a tsunami he foresaw in a vision destined to destroy the island of Jamaica in one fell swoop.

Musical entertainment will be provided by the band Wayne McGregor and Friends. Lead singer Wayne McGregor, is a songwriter and guitarist who has played for many years on the local music scene. He has been a fixture in the local rock and blues live music scene since the 1990s. Joining McGregor will be Andre ‘Spyda’ Dennis, long-time session musician and keyboardist for internationally acclaimed reggae band Raging Fyah, and veteran percussionist and jazz musician Mbala Mgobo.

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Last Sundays, April 30, 2017 – feat. Shashame and the Jamaica Biennial 2017

The National Gallery of Jamaica’s Last Sundays programme for April 30, 2017 will feature the Jamaica Biennial 2017 exhibition and a screening of the film documentary, Shashamane, On the Trail of The Promised Land.

The film explores the narratives of a number of settlers of African-descent from across the world, who have been living in Shashamane – a 200-hectare plot of land in Ethiopia, located 250 km south of Addis Ababa. The land was donated to all blacks in the world by the Emperor of Ethiopia Hailé Selassie in 1950. Ras Mweya Masimba is one of the key characters in the film, he moved to Shashamane in 1990. He is an English-born artist of Jamaican origins who depicts the deeds of his people in his animated films. Today African descendants from around the world — France, Jamaica, the United States, the United Kingdom, and various Caribbean islands – live in Shashamane. All of them were motivated by the desire for self-affirmation, after centuries of humiliation, and a longing to bring up their children in a nurturing context devoid of racism, making of tangible reality of the famous “Exodus” sung by Bob Marley.

The director of Shashamane, On the Trail of The Promised Land, Guilia Amati is an Italian-French filmmaker. She has directed several ads and commercials for corporations, NGOs and International organizations such as the FAO and Caritas International. In 2010 she co-directed, with Stephen Natanson, the feature-length documentary This Is My Land…Hebron, which won more than twenty awards, including the Aljazeera International Documentary Film Festival, the Festival International du Film des Droits de l’Homme de Paris, the Buenos Aires Human Rights Film Festival, and the Italian foreign press association’s Golden Globe Prize. The film also earned a special mention at the Nastri D’Argento, where it was a finalist for the David di Donatello Award and was selected by the Human Rights Watch Film Festival for their festivals in London, New York and Chicago. Shashamane is Amati’s second feature-length film.

Visitors will also be able to view the critically acclaimed Jamaica Biennial 2017 exhibition, which opened with a series of events from February 24 to 26 and continues until May 28 at three locations, the National Gallery of Jamaica itself, Devon House in New Kingston and National Gallery West in Montego Bay. The exhibition features the work of more than 90 artists in a variety of media and styles, including that of six international invitees – David Gumbs, Andrea Chung, Jodie Lyn-Kee-Chow, Raquel Paiewonsky, Marcel Pinas, and Nadia Huggins – and also features two special tributes to noted Jamaican artists — the painter Alexander Cooper and the late photographer and videographer Peter Dean Rickards.

The National Gallery of Jamaica’s doors will be open from 11 am to 4 pm on Sunday, April 30, 2017 and the film will start at 1:30 pm. As is customary for Last Sundays, admission will be free at the National Gallery of Jamaica’s Downtown Kingston location, and there will also be free tours of the exhibition. The Devon House location will also be exceptionally open from 11 am to 4 pm on April 30 and National Gallery West will as usual be open from 9 am to 5 pm. Regular admission rates will apply at both National Gallery West and at Devon House.

Last Sundays – March 26, 2016: feat. the Jamaica Biennial 2017 and BLACKasCOLE

The National Gallery of Jamaica’s Last Sundays programme for March 26, 2017, will feature the Jamaica Biennial 2017 and a special musical performance by BLACKasCOLE.

Fronted by songstress Cecile Black, BLACKasCOLE’s performance style is a fusion of different genres: Alternative, Blues, Gospel, R&B, Reggae/Dub-Rock which they have integrated into a base component of Reggae and Dub; the result is a new genre that the band calls Jam-on-Dub. The band emerged from the UWI Pop society at the Mona campus and has been in existence for three years now. Its goal is to “to ignite your hearts with conscious uplifting messages of truth and love.” BLACKasCOLE performs mostly original material and cover versions are usually interpretations of songs with personal significance. The band has graced a number of stages performing several times at the Jamaica Jazz & Blues Festival and venues such as Red Bones Blues Cafe’; Jamnesia; and Plug ‘n’ Play at the Jonkanoo Lounge of the Wyndham Hotel, to name a few. Their last performance at the National Gallery, three years ago, was extremely well received by our audience and we are particularly pleased to welcome back BLACKasCOLE, for what is guaranteed to be a phenomenal Last Sundays appearance.

Visitors will be able to view the critically acclaimed Jamaica Biennial 2017 which opened in late February 2017 at three locations: the National Gallery of Jamaica on the Kingston waterfront, Devon House in New Kingston and National Gallery West in Sam Sharpe Square, Montego Bay. Featuring a diverse mix of locally and overseas based artists, some of them well known and others emerging or new, the 2017 edition of the Jamaica Biennial reflects the vitality of the Jamaican art scene and the complex global dynamics that shape the art of the Caribbean region today. As was first done in 2014, the Jamaica Biennial features six specially invited international artists, from the Caribbean and its Diaspora—Jodie Lyn-Kee-Chow, Raquel Paiewonsky, Marcel Pinas, Nadia Huggins at the National Gallery of Jamaica; Andrea Chung at Devon House; and David Gumbs at National Gallery West—and the exhibition also includes two special tributes to noted Jamaican artists—Alexander Cooper and Peter Dean Rickards, both of which can be viewed at the National Gallery of Jamaica. The exhibition includes work in conventional media and styles as well as more experimental work in digital and other contemporary media, including several mixed media installations. The largest and arguably the most ambitious such exhibition staged to date by the National Gallery, the Jamaica Biennial runs at all three locations until May 28, 2017.

The National Gallery of Jamaica’s doors will be open from 11 am to 4 pm on Sunday, March 26, 2017 and the programme will start at 1:30 pm. As is customary for Last Sundays, admission will be free at the National Gallery of Jamaica’s downtown Kingston location and there will also be free tours of the Jamaica Biennial 2017. The Devon House location will also be exceptionally from 11 am to 4 pm and National Gallery West will be open from 9 am to 5 pm. Regular admission rates will apply at both National Gallery West and at Devon House.