Avagay Osborne – Untitled (2015)
Here is another of our short posts on the artists in the Young Talent 2015 exhibition, which opens tomorrow, Sunday, August 30:
Avagay Osborne was born in 1990 in Manchester, Jamaica. She is a recent graduate of the Edna Manley College of the Visual and Performing Arts, where she attained a BFA in Painting. She lives in Manchester, Jamaica.
Avagay Osborne – “Sorry” (2015)
Self-recovery is the term applied to the process of healing, from general disturbances and trauma. Reflections on past experiences have provided a thematic substance to my work thus far. My work is a direct reflection, response and act of self-recovery from a series of personal events and near-traumatic experiences. I believe that though these experiences are personal they are also no doubt a part of overall human condition. My adolescent years were troubled and traumatic and at age 23, I went through another traumatic experience, I have endured some level of physical and emotional abuse during these periods and these traumatic experiences have influenced my works.
Avagay Osborne – Untitled (2015)
Richard Nattoo – Oblivion (2015)
Here is another of our short posts on the artists in the Young Talent 2015 exhibition, which opens on Sunday, August 30:
Richard Nattoo was born 1993, in St Catherine, Jamaica. Nattoo currently attends the University of Technology in Kingston, Jamaica, where he is pursuing the Bachelors of Arts in Architectural Studies.
Richard Nattoo – Athena’s Oculus (2015)
Exploration has always been a constant in my life, and an integral part of my art and artistic processes. I create in an attempt to capture and deconstruct the common feelings and emotions of everyday life, so that I can examine their inner workings. At its core, my work attempts to capture the feelings and emotions I experience and to translate them into the surreal spaces that we all inhabit within ourselves. The goal is to explore feelings and emotions on murky cerebral levels and to construct the tumultuous and beautiful inner world that resides within all of us. I call this inner world the Silent Echo and my exhibitions have been about exploring this rich and textured place. A variety of mediums such as pen and ink, watercolour and most recently glass have been employed. Each exhibition is a chapter of the journey deconstructed.
Richard Nattoo – Silent Intuition (2015)
Here is the seventh of our short posts on the artists in the Young Talent 2015 exhibition, which opens on August 30:
Howard Myrie was born in 1982 in Cambridge, St James, Jamaica. He is a recent graduate of The Edna Manley College of the Visual and Performing Arts where he received his BFA in Painting. He currently resides in St James, Jamaica.
In Jamaican culture, the issue of homosexuality is a volatile and controversial topic, with persons on both side of the debate having fiery passions and each side being sure that their perspective is the correct one. My work seeks to engage in the discussion through a variety of media such as video installation that is text based, wood carving with graffiti elements, and text on glass. These media are used as a way of participating in the discourse, pointing to social ills and asking important questions that are worthy of attention, while allowing space for contemplation and reflection on personal attitudes. The Instrumentalist theory of art states that art should do more than being decorative or beautiful; art should be able to facilitate change and make society and the world we live in a better place.
Here is the sixth of our short posts on the artists in the Young Talent 2015 exhibition, which opens on August 30:
Domanie Hong (née Denniston) was born in Kingston, Jamaica in 1989. She graduated from the Edna Manley College of the Visual and Performing Arts with a BFA in Printmaking in 2015. She currently teaches at Hillel Academy High School.
This body of work comprises of three concepts, journaling my personal life experiences and predictions of the future. The first concept, titled The Water Series, signifies the start of my journey. During pregnancy, the womb is filled with water enabling the creation of human life.
The second concept, The Red Series, depicts the psychosomatic nature of human emotions. The bright attractive colour sends mixed signals to the neurons in the hippocampus, which plays a role in emotions.
The third concept, The Desert and Textured Series, represents the end of a journey and expresses the notion of returning to dust.
This body of work represents a visual discussion of my struggles with self-worth and self-acceptance. These concepts are the unwanted realities of my life and represent a visual conversation with its cycles.
Di-Andre Caprice Davis – Overly Utopian Dreams (2007-2015)
We publish another of our short posts on the artists in the Young Talent 2015 exhibition, which opens on August 30:
Di-Andre Caprice Davis was born in 1986, Kingston, Jamaica. She is a self-described visual artist who is experimenting with new media technologies. She works and lives in Kingston.
In my work, I combined a passion for digital aesthetic with furthering the exposure and understanding of how technology has affected our world. Although the images are highly personal representations of my dreams, they are abstract enough and open enough to allow individual interpretation. I have used animation techniques to show the power of artistic image manipulation; turning still images into hypnotic GIF art. I prefer to collage and compose several looping actions emphasizing the motions that mimic bodily rhythm. It is like an adventure in a second life exploring its outer limits with digital imaging tools.
Here is another in our short posts on the artists in the Young Talent 2015 exhibition, which opens on August 30:
Katrina Coombs was born in Kingston, Jamaica in 1986. She holds a BFA in Textiles and Fibre Arts from the Edna Manley College of the Visual and Performing Arts in 2008 and has completed her MFA in Creative Practice at the University of Plymouth through the Transart Institute in 2013. Katrina lectures part time in the Textiles and Fibre Arts Department at the Edna Manley College.
My work is governed and guided by my emotions as I attempt to understand and search for the woman that I am. Each artwork represents a part of me that is hidden from myself an others. They embody my hidden voice. The artworks I create depict my experiences of birth, death, love, heartbreak, corruption, entrapment, destruction, joy, happiness and freedom. In this attempt to understand the Self and these experiences, the Other becomes ever more present. Through the use of fibrous material and techniques I explore the effect of the Other on the ‘I’.
This body of work emphasizes the social implications of insecurities and turmoil that a woman faces as she struggles with her daily life attempting to satisfy herself, partner, family and friends which create an enterprise for conflict. In this situation the Other would be the motherly instincts and desires of a woman. The works mimic the nature of the womb, which becomes an Other to the woman as she attempts to conform to its demands, as well as the emotional turmoil that accompanies its actions. The ‘I’ becomes absent as the Other prevails and creates a void of neurotic divergence within.