The National Gallery of Jamaica’s Last Sundays programme continues on Sunday, January 25 with a screening of two films: Smallman: The World My Father Made (2013) and The Solitary Alchemist (2010). Visitors will also have the opportunity to view the main exhibition of the Jamaica Biennial 2014. Doors will be open from 11 am to 4 pm and the film screening starts at 1:30 pm.
The Jamaica Biennial 2014 exhibition, which opened on December 7 and continues until March 15, can be seen at the National Gallery of Jamaica, which houses the main exhibition, with satellite exhibitions at Devon House and National Gallery West in Montego Bay and one project, by Bahamian artist Blue Curry, on the streets of Downtown Kingston. The exhibition features Jamaican artists, both local and from the diaspora, and, for the first time, also specially invited artists from elsewhere in the Caribbean. One of the National Gallery’s largest and most popular exhibitions to date, it has already received significant acclaim as a landmark exhibition, which provides exposure to the diversity of contemporary art from the Caribbean region and its diaspora and serves as a platform for new development. Among the artists in the exhibition are the winners of the 2014 Biennial’s two awards: the Aaron Matalon Award winner Ebony G. Patterson (at Devon House); and the co-winners of the inaugural Dawn Scott Memorial Award, Camille Chedda and Kimani Beckford, whose work can be seen at the National Gallery of Jamaica.
The films that will be screened on January 25, Smallman and The Solitary Alchemist, were both directed by Mariel Brown whose documentary film Inward Hunger: The Story of Eric Williams recently won the Best Local Feature Film jury prize at the Trinidad and Tobago Film Festival, and has been screened in London, England; Kingston, Jamaica; Florida, USA and Port of Spain, Trinidad.
Smallman: The World My Father Made, a short film, tells the story of John Ambrose Kenwyn Rawlins an ordinary Trinidadian of modest means. He was a great father, grandfather and husband; an obedient public servant. Yet the most vivid part of his life was lived in a small workshop beneath his house. In there, at the end of his workday, he made things. From simple push toys to elaborate 1/16th scale waterline battle ship models and dockyards, miniature furniture and dolls houses, he painstakingly constructed everything from scratch, sometimes spending upwards of a year on a single model. The film is an exploration of the worlds both real and imagined that Kenwyn Rawlins made, as remembered by his son Richard Mark Rawlins, who is also one of the specially invited artists in the Jamaica Biennial 2014.