The National Gallery of Jamaica, in association of with the Edna Manley College of the Visual and Performing Arts and NLS (New Local Space), are pleased to present a public lecture by the Trinidadian artist, writer and curator Christopher Cozier on Wednesday, January 11, at 12:30 pm in the School of Visual Arts Lecture Room at the Edna Manley College.
Christopher Cozier was born in 1959, in Port of Spain, Trinidad & Tobago, where he lives and works. Cozier’s work has been featured internationally at the Brooklyn Museum; the Museum of Art and Design NY; the Havana Biennial; the Biennial de Cuenca, Ecuador; the Trienal Poli/Gráfica de San Juan: América Latina y el Caribe; the Eli and Edith Bread Museum at MSU; TEOR/ética, San Jose, Costa Rica; and the TATE Liverpool. He was a member of the editorial collective of Small Axe: A Caribbean Journal of Criticism and an editorial adviser to BOMB Magazine for their Americas issues. He is co-director of Alice Yard, a 10-year old arts space in Port-of-Spain which organizes exhibitions, artists’ residences, cultural dialogue and exchanges. He received the Prince Claus Award for 2013. Christopher Cozier is one of the international judges for the juried section of the Jamaica Biennial 2017.
Cozier’s lecture, titled Actions Between Territories, will discuss the potential free/play spaces that Caribbean artists are constantly imagining, constructing, and navigating, including in his own creative practice and at Alice Yard. He will also discuss how the established idea of the Caribbean persists—as a viable fiction, as a site of exchange, an owned product or territory traded between various beneficiaries, internal and external.
The lecture is free and open to the public but artists and art students are especially encouraged to attend. The Edna Manley College is located at 1 Arthur Wint Drive, Kingston 5. Parking is available on campus.
The National Gallery of Jamaica invites educators and teachers-in-training to attend our third annual one-day seminar entitled Art Exhibitions as Teaching Tools, which will be held on Friday, November 18, 2016. The seminar will take place from 10:00 am to 1:30 pm, at the National Gallery, and is offered free of cost. Developed specifically for persons who provide education services to student groups from early childhood to secondary school level, the seminar provides an introduction to understanding exhibitions and explores several approaches for developing lesson activities derived from taking student groups to visit exhibitions and displays of artwork in a museum or any other location. The content and activities of the seminar will be presented by members of the NGJ Education Department and will focus on utilizing aspects of the permanent display to illustrate three main topic areas:
- An Introduction to Exhibitions
- Utilizing an Art Exhibition as an Educational Resource
- Case Study
Though the seminar is based in the practice of art museums, the tour as well as education strategies that will be explored can also be applied to a number of other subject areas. The annual teachers’ seminar, which was initiated in 2014, has enjoyed very positive feedback from past attendees and we look forward to having you join us. Interested persons should contact the Education Department at 922-1561 for further information; no pre-registration is required.
On Thursday, October 27, 2016, starting at 2:00 pm, the National Gallery of Jamaica will be hosting a panel discussion entitled Kingston: Filming the City. This event aims to explore the the work of filmmakers in depicting and interpreting Kingston life and its environs. Kingston: Filming the City is part of the educational programming associated with the NGJ’s current feature exhibition Kingston, Part 1: The City and Art, which opened on July 31 and will now close on November 5. The exhibition utilizes paintings, sculpture, ceramics, film and photography to explore the dynamic between Kingston’s growth as a major commercial as well as cultural centre and the development of Jamaican visual art practice and infrastructure.
The focus on film for the panel discussion was inspired by the inclusion of two motion-picture works in the exhibition: Chaotic Beauty (2016), a video by emerging Jamaican digital artist Di-Andre Caprice Davis, and The Harder They Come (1972), the iconic Jamaican film directed by Perry Henzell and written by himself and Trevor Rhone. Both of these productions have featured Kingston not just as a backdrop to story-telling, but as a key location element that informs narrative progression and character development. Some have argued that The Harder They Come is also a portrait of Kingston and a time-capsule representation of urban life in Jamaica in the late 1960s and early 1970s. Kingston has featured in several other memorable, locally produced and international films, including the first James Bond film Dr No (1962), Rockers (1978), Dancehall Queen (1997), Third World Cop (1999), Better Mus’ Come (2010) and Kingston Paradise (2013). Kingston also serves as the locale and backdrop to numerous Jamaican and other music videos, such as Proteje’s Kingston Be Wise (2013).
The discussion on October 27 will be moderated by lecturer of Audio-Visual History at the University of the West Indies (Mona), Dr. Julian Cresser, along with the following panellists:
- Franklyn “Chappy” St. Juste, veteran cinematographer who has been credited in films such as The Harder They Come (1972), Children of Babylon (1980) and Coolie Pink and Green (2009). St. Juste has also contributed valuable years of service to the Jamaica Information Service (JIS), Creative Production and Training Centre (CPTC) and the Caribbean Institute of Media and Communication (CARIMAC).
- Natalie Thompson, film producer and managing director of Cinecom. Some of Thompson’s acclaimed productions have included Third World Cop (1999), Knight and Day (2010) and the Marley documentary (2012).
- Nile Saulter, cinematographer and film director as well as founding member of New Caribbean Cinema. Some of his notable productions include Coast (2011), Pillowman (2013) and Everblessed (2016), a collaboration between himself and Canadian journalist Jeremy Relph.
- Randall Richards, emerging photographer, videographer and one of the founders of ARRC Creative Media Ltd. Richards’ recent productions have included the music video for music single by Reggae artiste Protogé, Kingston Be Wise (2013).
Also as an accompanying mini-campaign to the Kingston: Filming The City panel discussion, persons are being invited to create 10 to 20 second videos about Kingston and post them to the NGJ Education Department Facebook page, using the hashtag #ngjkingstonfilm. The final day for posting will be on November 4, 2016. All posts will be reviewed by the National Gallery of Jamaica before appearing on the page’s timeline.
The panel discussion is free and open to the public. Persons in attendance will also have an opportunity to view the Kingston, Part 1: The City and Art exhibition.
The National Gallery of Jamaica (NGJ) is pleased to announce the resumption of its child art programme, Saturday Art-Time, on Saturday September 10, 2016.
The programme, which has been active since September 2009, has been on hiatus since March 2015. Having renewed grant funding, the NGJ’s Education Department is looking forward to presenting new workshop activities to participants alongside staple programme art-making offerings such as drawing, painting, assemblage and collage. With new offerings such as animation, the young participants of Saturday Art-Time will continue to be given opportunities to learn about Jamaican culture and history through the gallery’s permanent collection as well as its temporary exhibitions.
Geared towards participants aged 8 to 15 years old, Saturday Art-Time has been a popular part of the National Gallery of Jamaica’s programming for its younger patrons and has been favoured by participants from a variety of social backgrounds. The present workshop series will be held during the 2016-2017 school year, with the first semester ending on December 10, 2016. The programme will also be accompanied by a child art exhibition entitled Art’iT, which was was previously held in 2011 and 2013 and reflects the effectiveness of the workshops and the enthusiastic participation of the children. Through Art’iT, which will be held towards the end of the school year, the programmes child artists receive a public platform on which they can exhibit their art and contribute to the diversity of the Jamaican artistic community.
The workshops, funded by the Culture, Health, Arts, Sports and Education fund (CHASE), will be held every Saturday morning from 10:00 a.m. to 1:00 p.m. at the National Gallery of Jamaica. The workshops will continue to be free of cost, but space is limited so applicants are encouraged to register as soon as possible. Registration forms are available at the National Gallery. For more information, contact the National Gallery’s Education Department at 922-1561/3 (Lime landline) or 618-0654/5 (Digicel fixed line) or via e-mail at firstname.lastname@example.org.
The National Gallery of Jamaica (NGJ) is proud to announce that it will be holding the second edition of its workshop programme, WRITIVITY, which begins on Monday, August 8 and will continue until Friday, August 12, 2016. Inaugurated last year, the WRITIVTY workshop is designed for grade 10 and 11 students, who are preparing to sit Visual Arts examinations for the Caribbean Secondary Education Certificate (CSEC). The workshop is coordinated by the NGJ’s Education Department and forms part of the Gallery’s summer programme schedule.
The main goal of WRITIVITY is to assist students with the development of a visual arts reflective journal, which is a key component of CSEC’s School Based Assessment (SBA) submission. By participating in WRITIVITY, students will be taught how to properly prepare entries for the journal, analyze art pieces and conduct art related research, within sessions utilize the NGJ’s art collection and document resources.
All activities for the WRITIVITY will be held at the National Gallery of Jamaica from 9:30 a.m. to 1:30 p.m. Persons interested in the workshop should contact the NGJ in order to register. The cost of registration is one thousand dollars ($1000) and due to limited space, applicants are being encouraged to register early. For additional information, kindly contact the National Gallery’s Education Department at 922-1561 / 3 (Lime landline), or 618-0654 / 5 (Digicel fixed line). Emailed queries should be sent to email@example.com.
The closing event for the National Gallery of Jamaica’s Digital exhibition will be a panel discussion and Twitter chat on the possibilities and potential of digital art and its role in redefining contemporary art. This panel discussion will be held at the National Gallery on Saturday, July 2, 2016, starting at 1 pm and will feature four digital artists, Corretta Singer, David Gumbs, Shane McHugh and Danielle Russell. The latter three are are represented in the Digital exhibition.
The panel discussion will be organized around four major discussion points:
- What Makes Digital Art ART? – an exploration of definitions, understandings, commonalities and peculiarities of digital art.
- The Challenge of New Media – a discussion of how material value is treated in or can be ascribed to digital artworks; what are the conventional expectations of the ‘art object’ and how do the media used for digital art challenge these expectations?
- Exposure, Accessibility and Audience Reach – Does digital art afford greater/lesser potential for the aforementioned for the artists/designers as well as the audience? What are the ramifications concerning copyright and other legal protection for the creators of digital artwork?
- Rethinking Patronage – to what extent can the conventions of collecting artwork be applied to digital art? Is there a possibility that the traditional art collector may become marginalized as more artists produce in this way or can the rise in prevalence of digital artwork provide more diverse ways of encouraging varieties of patronage?
The panel discussion will be accompanied by a Twitter chat for members of the audience and persons who are not able to come to the gallery for the event, including some of the artists in the Digital exhibition. All that is required is that they follow the National Gallery of Jamaica’s Twitter account, @natgalleryja and include #NGJDigital in their comments or questions. Participants in the Twitter chat can begin tweeting by 12 noon on the day.
The panel discussion is free and open to the public. Persons in attendance will also have a final opportunity to view the Digital exhibition.