“Daylight Come…Picturing Dunkley’s Jamaica” to open at National Gallery’s on Last Sundays on May 27, 2018

The National Gallery of Jamaica’s Last Sundays programme for the month of May will mark the opening of a new exhibition Daylight Come…Picturing Dunkley’s Jamaica. It will also feature a special ensemble musical performance as part of Lupus Awareness month activities.

Daylight Come…Picturing Dunkley’s Jamaica complements the John Dunkley: Neither Day nor Night exhibition which opened on April 29.This retrospective of Dunkley’s work was curated by independent curator Diana Nawi, formerly of the Perez Art Museum Miami (PAMM), and Nicole Smythe-Johnson, independent Jamaican curator and writer. Originally shown at PAMM in 2017, this version includes six works that were not part of that initial exhibition.

John Dunkley – Diamond Wedding (1940), Collection: National Gallery of Jamaica (Gift of Cassie Dunkley)

This new exhibition Daylight Come… explores themes such as tourism, immigration and the emergence of cultural nationalism in Jamaica during Dunkley’s lifetime. The exhibition provides further context to Dunkley’s creative output; exploring the works of his contemporaries David Miller Snr and David Miller Jnr, Carl Abrahams, Albert Huie, David Pottinger, Ralph Campbell and Henry Daley among others. This exhibition will be on view until July 29, 2018.

The Millers in 1964

May is Lupus Awareness Month and the special musical performance this Last Sundays serves as one of the activities to raise awareness to this life-altering disease. The music, poetry and dance that will be performed are all inspired by the emotional states experienced by someone with Lupus. The various performers include members of the Philharmonic Orchestra of Jamaica, the Jamaica Youth Chorale, the Porter Centre for Knowledge and The Music House.

Edna Manley – Prayer/Kneeling Figure, (1937)

As is now customary for our Sunday programmes, the doors will be open to the public from 11 am to 4 pm and the special musical performance starts at 1:30 pm. Admission and guided tours will be free. The gift and coffee shop will also be open for business.

 

Advertisements

Panel Discussion: Edna Manley’s Bogle

Please join us for an exciting discussion on Edna Manley’s Bogle monument and the controversy that has surrounded it. This event was rescheduled from its original date of October 14.

Press release

Bookmark and Share

Edna Manley’s Bogle: A Contest of Icons – Tell Us What You Think!

Edna Manley - Paul Bogle (1965), Photograph: Amador Packer

LET US HEAR FROM YOU!

Since Independence, there have been several controversies about public monuments in Jamaica, starting in 1963 with the proposed National Monument for the Harbour View Roundabout, which was to be designed and sculpted by Alvin Marriott but which was never completed as a result. The other controversies pertained to Edna Manley’s Bogle (1965), Christopher Gonzales’ Bob Marley (1983) and Laura Facey’s Redemption Song (2003).

By far the most protracted controversy has been about the Bogle monument, which started at the time of its  1965 unveiling in front of the Morant Bay Courthouse, had resurfaced in 1971,  and flared up again in 2009, after the statue had been moved to Kingston for restoration.  A group of Morant Bay stakeholders requested that the monument should not be returned and replaced by a new monument, based on Paul Bogle’s presumed “true likeness” – the photograph reproduced below. The matter remains unresolved and the NGJ has made use of the presence of the recently restored statue in Kingston to present an exhibition on the subject, which opens on September 23 and continues until November 13.

Unknown photographer - portrait of Bogle (?), c1865?, copied from original tintype

Continue reading

Press Release – Edna Manley’s Bogle: A Contest of Icons

Edna Manley - Bogle (1965), Photograph: David Boxer, 1970

The National Gallery of Jamaica is pleased to announce its upcoming exhibition titled Edna Manley’s Bogle: A Contest of Icons, which will open to the public on Sunday, September 26.

This research-based exhibition examines the iconographies of Paul Bogle and the 1865 Morant Bay Rebellion, with a specific focus on Edna Manley’s Bogle monument and the assumed photograph of Paul Bogle. The photograph was uncovered in the late 1950s and, while there are unresolved questions about its attribution, has become the de facto official representation of Paul Bogle. Edna Manley’s Bogle was unveiled in 1965 as the official monument to the Morant Bay rebellion and was located in front of the historic Morant Bay courthouse until it was recently removed for restoration. A second, truncated version can be seen in the 1865 Memorial at National Heroes Park in Kingston. Continue reading