Deborah Anzinger – A Piercing Cold Where We Meet (2017, digital study)
The 2014 edition of the National Gallery of Jamaica’s Jamaica Biennial was shown at multiple venues—a first for this exhibition in Jamaica—and this included Devon House, the original home of the National Gallery and one of Kingston’s main heritage sites. Devon House was included as part of the National Gallery’s fortieth anniversary celebrations, as a home-coming of sorts, but also in response to the Devon House Management’s invitation to organize regular joint exhibitions.
Laura Facey – Bumpy Top Desk and Mirror (2016)
The Jamaica Biennial 2014 at Devon House featured work by Laura Facey, Ebony G. Patterson (who won the Biennial’s Aaron Matalon Award that year), Greg Bailey, Cosmo Whyte, James Cooper, and Oneika Russell, and was one of the most popular and critically acclaimed parts of the exhibition. The approach taken was for the works selected to be installed the Devon House mansion interior, alongside or in replacement the regular furniture and art works, and, in the case of Laura Facey, also in the formal gardens in front of the house. The result was a rich dialogue between the history and context of the house—which was built and owned by Jamaica’s first black millionaire, George Stiebel, in 1881—and the issues raised in the art works, such as the historical and contemporary dynamics of race and class, the politics of visibility and invisibility in the face of social violence, and our relationship to the natural environment.
Sharon Norwood – Root of the Matter XI (2016)
The National Gallery of Jamaica is staging another educational event associated with its New Roots: 10 Emerging Artists exhibition, namely a tour of the exhibition with five of the participating artists, namely Deborah Anzinger, Varun Baker, Camille Chedda, Nile Saulter and Ikem Smith, who will each talk about their work. This event is scheduled for Thursday, October 31, starting at 2:30 pm.
New Roots features work in a variety of new and conventional media by 10 artists under 40 years old, Deborah Anzinger, Varun Baker, Camille Chedda, Gisele Gardner, Matthew McCarthy, Olivia McGilchrist, Astro Saulter, Nile Saulter, Ikem Smith, and The Girl and the Magpie. The exhibition samples some of the most dynamic and innovative directions in the Jamaican art world, by artists who are questioning conventional understandings of art and the artist while presenting a socially engaged perspective on contemporary Jamaican society.
Thursday’s artists’ tour of New Roots is free and open to the public. The New Roots: 10 Emerging Artists is closing on November 2, so this event also represents one of the last opportunities to view the exhibition. For more information, see: https://nationalgalleryofjamaica.wordpress.com/tag/new-roots/
Matthew McCarty – I Took the Liberty of Designing One (2013)
Instead of asking what are people’s roots, we ought to think about what are their routes, the different points by which they have come to be now they are, in a sense, the sum of those differences. That, I think, is a different way of speaking than talking about multiple personalities or multiple identities as if they don’t have any relation to one another or that they are purely intentional. These routes hold us in places, but what they don’t do is hold us in the same place. We need to try to make sense of the connections with where we think we were then as compared to where we are now. That is what biography or the unfolding sense of the self or the stories we tell ourselves or the autobiographies we write are meant to do, to convince ourselves that these are not a series of leaps in the dark that we took, but they did have some logic, though it’s not the logic of time or cause or sequence. But there is a logic of connected meaning.
The New Roots exhibition features 10 emerging artists: Deborah Anzinger, Varun Baker, Camille Chedda, Gisele Gardner, Matthew McCarthy, Olivia McGilchrist, Astro Saulter, Nile Saulter, Ikem Smith and The Girl and the Magpie. These artists were selected by our curatorial team, which was headed by Nicole Smythe-Johnson, O’Neil Lawrence and myself, from our initial shortlist of over 30 artists under 40 years old who were either born in Jamaica or of Jamaican parentage or who are active here. We specifically looked for artists who had started exhibiting only recently, at least in Jamaica, and who had not previously been represented in National Gallery of Jamaica exhibitions of a similar nature, such as our Young Talent series. Final selections were made based on obvious practical considerations, such as the availability of work and feasibility of project proposals, but most of all we looked for work that suggested viable new directions in local contemporary art practice. And we found a lot that interested us: a strong focus on photographic reportage; provocative autobiographic reflections and social interventions; new interrogations of gender and the body; an at times unsparing realism but also a capacity for imaginative visual poetry; experimentation with video projection, animation and interactivity; and a growing disregard for conventional notions about the “art object” and the traditional, segregated artistic disciplines.
The Girl and the Magpie – Sponge (necklace, collection Fragile Jamaica) (2013) – work in progress
Deborah Anzinger – detail of installation
This is the first in a series of posts on the artists in our upcoming New Roots exhibition, which opens on July 28.
Deborah Anzinger has exhibited her work at the District of Columbia Arts Center (DCAC), Arlington Art Center (AAC), George Mason University, Civilian Art Projects, Hillyer Art Space, Delicious Spectacle, Porch Projects, Corcoran Gallery of Art with Transformer Gallery, and National Gallery of Jamaica. She recently co-curated with Chajana DenHarder Intimate Encounters, a solo exhibition of work by Marlon James at New Local Space (NLS), Kingston; and Loose Ends, an exhibition of work by Chandi Kelley, Chajana DenHarder, Matt Smith, Joseph Hale and Dafna Steinberg at DCAC. She has written for ARC Magazine and Caribbean Beat; and sat on panels for San Francisco Museum of Modern Art, DCAC and AAC. She is founding director of the non-profit visual art initiative NLS that creates a more connected global network where unconventional art, ideas and artists are accessed openly through artist residencies, exhibitions and conversation series. Deborah received her PhD in Immunology and Microbiology in 2005 from Rush Medical Center, Chicago.