New Roots: Introduction

Matthew McCarty - I Took the Liberty of Designing One (2013)

Matthew McCarty – I Took the Liberty of Designing One (2013)

Instead of asking what are people’s roots, we ought to think about what are their routes, the different points by which they have come to be now they are, in a sense, the sum of those differences. That, I think, is a different way of speaking than talking about multiple personalities or multiple identities as if they don’t have any relation to one another or that they are purely intentional. These routes hold us in places, but what they don’t do is hold us in the same place. We need to try to make sense of the connections with where we think we were then as compared to where we are now. That is what biography or the unfolding sense of the self or the stories we tell ourselves or the autobiographies we write are meant to do, to convince ourselves that these are not a series of leaps in the dark that we took, but they did have some logic, though it’s not the logic of time or cause or sequence. But there is a logic of connected meaning.

Stuart Hall

The New Roots exhibition features 10 emerging artists: Deborah Anzinger, Varun Baker, Camille Chedda, Gisele Gardner, Matthew McCarthy, Olivia McGilchrist, Astro Saulter, Nile Saulter, Ikem Smith and The Girl and the Magpie. These artists were selected by our curatorial team, which was headed by Nicole Smythe-Johnson, O’Neil Lawrence and myself, from our initial shortlist of over 30 artists under 40 years old who were either born in Jamaica or of Jamaican parentage or who are active here. We specifically looked for artists who had started exhibiting only recently, at least in Jamaica, and who had not previously been represented in National Gallery of Jamaica exhibitions of a similar nature, such as our Young Talent series. Final selections were made based on obvious practical considerations, such as the availability of work and feasibility of project proposals, but most of all we looked for work that suggested viable new directions in local contemporary art practice. And we found a lot that interested us: a strong focus on photographic reportage; provocative autobiographic reflections and social interventions; new interrogations of gender and the body; an at times unsparing realism but also a capacity for imaginative visual poetry; experimentation with video projection, animation and interactivity; and a growing disregard for conventional notions about the “art object” and the traditional, segregated artistic disciplines.

The Girl and the Magpie - Sponge (necklace, collection Fragile Jamaica) (2013) - work in progress

The Girl and the Magpie – Sponge (necklace, collection Fragile Jamaica) (2013) – work in progress

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New Roots: Astro Saulter

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Biography

Astro Saulter (b1978, Jamaica) is a digital artist living in Negril, Jamaica. As an infant, Astro was diagnosed with Cerebral Palsy – a brain and nervous system disorder which causes severe physical disability. One of eight children, Astro’s parents nurtured all of their children’s creative spirit and Astro was no different. At the age of 12, he was enrolled in a special needs school in the USA. There he learned basic subjects and computer skills, including the use of a hands-free head set to perform computer functions. He was later transferred into the general high school system in Miami, Florida. He returned home to Jamaica in 1998. Since then Astro has used the computer as his ‘life-line’ to the world. Around 2001, he began creating visual art. Enabled by the program EZ-Keys, Astro operates his computer using a head switch on the back of his wheelchair, he uses drawing programs such as Macromedia Freehand and Inkscape to “sketch” his drawings, painstakingly connecting lines and filling colors one step at a time.

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