National Gallery of Jamaica appoints O’Neil Lawrence as Chief Curator

O'Neil Lawrence at Afro Atlantic Histories exhibition courtesy of Paulo Freitas_Glamurama.jpg

Credit: Paulo Freitas / Glamurama

The National Gallery of Jamaica is pleased to announce the appointment of O’Neil Lawrence as the institution’s new Chief Curator.

As a member of the senior management team Lawrence will oversee the active exhibition programme at the National Gallery of Jamaica (NGJ, Kingston) and National Gallery West (NGW, Montego Bay), as well as the stewardship and development of Jamaica’s national art collection.

Chairman of the board, Senator Tom Tavares-Finson says: “In the over 10 years that our new Chief Curator O’Neil Lawrence has served the iconic National Gallery of Jamaica, he has grown into the perfect candidate for this challenge. His wide depth of knowledge of Jamaican and Caribbean art will serve him well as he begins this stage of his career.  His curatorial skills have been honed under many Jamaican and international curators including the late Chief Curator, the Hon. Dr. David Boxer O.J. The Board of the NGJ joins me in welcoming our new Chief Curator and we look forward to great new developments at the NGJ.”

Lawrence’s expertise is home-grown. He began working at the NGJ in 2008 as an Outreach Officer before joining the staff full-time in 2009 and serving as a Curatorial Assistant, Assistant Curator, and Senior Curator (a position he held since 2013). 

As Senior Curator, his over thirty-five exhibitions included the critically acclaimed Seven Women Artists (2015) and Masculinities (2015-2016). He was the co-curator of the NGJ’s largest multi-site exhibition Jamaica Biennial 2017 and led the curatorial team for Beyond Fashion at the NGJ and I Shall Return Again at NGW. Both exhibition openings broke NGJ and NGW records for attendance and have been hailed as the Gallery’s most successful exhibitions to date at their respective locations.  

 “I have been surrounded by art my entire life,” Lawrence says. “My father was an artist. My friends are artists. And I am an artist. I have worked alongside a team that has developed an exhibition and events programme at the Gallery which engages an increasingly wide audience and with the support of the Board and all stakeholders, I look forward to leading them in even more ambitious creative collaborations.” 

Lawrence’s new role as Chief Curator is pivotal to the continued development of the NGJ’s programming and scholarship to its historical standard. Says Dr Jonathan Greenland, Senior Director of the National Gallery: “I have watched O’Neil’s careful and systematic development of his skills as a gallery professional for years and I know that with his leadership and strong curatorial abilities, he will continue the momentum at the National Gallery and help us to reach new heights.”

Lawrence acknowledges the persistent myth that a space like the gallery is only for the wealthy and that the work is too abstract for people to find relatable but, he says, “There is something for everyone at the National Gallery no matter who you are and we want you to come and discover it. Our art matters because our stories matter – the National Collection illustrates our experiences as a culture and I will continue to pursue mutually beneficial partnerships in and outside of our borders—particularly in the Global South— in keeping with our stated mission “to promote our artistic heritage for the benefit of present and future.”

OLawrence-4667

Credit: Shawna-Lee Tai

About O’Neil Lawrence

O’Neil Lawrence holds a Bachelor of Arts in English Literature and Sociology and Master of Philosophy in Cultural Studies from the University of the West Indies. He is trained in visual communication (Edna Manley College of the Visual and Performing Arts) and cultural heritage preservation as part of the US State Department’s IVLP programme and he was the 2014 recipient of the prestigious Bridget Jones Award of the Society of Caribbean Studies.

Lawrence’s publications include essays for the 2012 Pictures from Paradise: A Survey of Contemporary Caribbean Photography and Histórias Afro-Atlânticas Vol 2 Antologia (MASP 2018).  In 2009 he chaired the Education and Outreach Committee of the Institute of Jamaica and in 2016 he was Chair of that institution’s Researchers and Curators Committee. In 2018 he served on the Board of the Davidoff Art Initiative and he is currently on the Advisory Council of the Caribbean Art Initiative

Lawrence’s research interests include race, gender and sexuality in Caribbean and African diasporal art and visual culture; memory, identity and hidden archives; photography as a medium and a social vehicle; Caribbean and general art history and museums and other public cultural institutions. 

As an artist, his photography and video work has been included in several local and international exhibitions including Rockstone and Bootheel at Connecticut’s Real Art Ways in 2009, his 2012 solo exhibition Son of a Champion at the Mutual Gallery, the Jamaica Biennial in 2014, Visions Achipéliques at Martinique’s Fondation Clemént in 2016 and The Expanded Caribbean: Contemporary Photography at the Crossroads at the Leonard Pearlstein Gallery Philadelphia in 2017.

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