Another post on the Annabella and Peter Proudlock Collection exhibition, which is on view at the NGJ until November 4.
The thematic structure of this exhibition is designed to encourage the viewer to approach the works on display for their potential to tell particular aspects of the story of Ogden-Proudlock family, and it is important to note that they lived with all of these works at their Te Moana home, in configurations which were often quite different from what is presented in these galleries. This gallery attempts a more intimate look at what it meant to “live” with this extensive collection and the installation in this section reflects less of the conventional gallery aesthetic and more of the reality of living with a large collection.
There were interesting demarcations within the Proudlock home, with the more public areas of the living room displaying their beloved Jamaican Intuitives, most of which are to be found in Gallery Four, but which are represented here by the works of Zaccheus Powell and William “Woody” Joseph. The living area also featured works by friends such as Lisa Remeny, whose surreal work depicted daily life at Te Moana itself, Graham Davis, and Jonathan Routh (whose works on the Harmony Hall theme can be seen in Gallery Two). The exuberance found in the colours and subject matter of the “tourist” art that was mounted in their large kitchen reflected their travels to locales such as Haiti and Costa Rica, while the more intimate areas of the bedrooms held works that were more restful or of personal significance, such as Angela Landels’ portraits of Annabella, Sebastian and Jessica in Gallery One, or works by close friends and frequent Harmony Hall exhibitors such as Colin Garland, Albert Huie and Graham Davis.