This is the first of what will be our final series of posts on the Jamaica Biennial 2017, on the juried artists in the exhibition. The juried section of the 2017 Biennial was selected by two international judges, Amanda Coulson (Bahamas) and Christopher Cozier (Trinidad and Tobago), and two local judges and members of the NGJ Board, Susanne Fredricks and Omari Ra. Deborah Anzinger had submitted a site-specific installation proposal for the Devon House ballroom, which was selected.
Deborah Anzinger was born in St Andrew, Jamaica. She attended the Rush University Medical Center, where she obtained a PhD in Immunology and Microbiology, and she is self-taught as a painter and multi-media artist. Her recent exhibitions include the Jamaica Biennial 2014 at the National Gallery of Jamaica, and Double Dutch: Heino Schmid + Deborah Anzinger (2016) at the National Art Gallery of the Bahamas. Anzinger is the Executive Director of New Local Space Ltd. (NLS), a non-profit visual art initiative in Kingston. She is a regular participant in international art events, such as Tilting Axis in 2015 and 2016, in Barbados and Miami respectively, and recently completed a residency at the Skowhegan School of Painting and Sculpture (2016). Her current body of work tests “the limits of understanding individual existence and experience as hybrid, indeterminate and magical, told from an unknowable inner world.” She is based in St Andrew, Jamaica.