The National Gallery’s Last Sundays programme for September 2014 is scheduled for Sunday, September 28, from 11 am to 4 pm, and will feature the In Retrospect: 40 Years of the National Gallery of Jamaica exhibition and a dance performance, titled Soulscaping, by the Barre None Dance Collective.
The In Retrospect: 40 Years of the National Gallery of Jamaica exhibition opened on August 31 and represents the first major event in the National Gallery’s 40th anniversary celebrations. In Retrospect tells the National Gallery’s story through its exhibitions and publications, through major donations, and through the debates that have surrounded the Gallery from its earliest years, with a special focus on the Gallery’s role in articulating how Jamaican art is understood. The exhibition consists mainly of key works from the Gallery’s collection and features a diverse range of artists from the 18th to the 21st century, including John Dunkley, Edna Manley, Ebony G. Patterson, Isaac Mendez Belisario, Mallica ‘Kapo’ Reynolds, Albert Huie, Barrington Watson, Eugene Hyde, Vermon ‘Howie’ Grant, Karl Parboosingh, Leasho Johnson, Carl Abrahams, Robin Farqueharson, George Robertson, David Boxer, Laura Facey, Maria LaYacona, Petrona Morrison, Omari Ra, Cecil Baugh, Matthew McCarthy, Everald Brown, Norma Rodney Harrack, A. Duperly and Sons, Osmond Watson, Renee Cox, Marlon James, and Colin Garland.
The dance performance Soulscaping by the acclaimed and innovative Barre None Dance Collective, which will start at 1:30 pm, was choreographed by Oniel Pryce and the dancers will be Neila Ebanks, Sophia Mckain and Kayon Wray. Barre None has described the performance concept as follows: ‘The soul is the self, the “I” that inhabits the body and acts through it. Without the soul, the body is like a light bulb without electricity, a computer without the software, a space suit with no astronaut inside. With the introduction of the soul, the body acquires life, sight and hearing, thought and speech, intelligence and emotions, will and desire, personality and identity.’ The performance was choreographed for the National Gallery space and will interact with parts of the In Retrospect exhibition.
As is now customary for Last Sundays, admission to the NGJ will be free on Sunday, September 28, and guided tours and children’s activities will also be offered free of cost. Our gift and coffee shop will be open for business and contributions to the donations box are welcomed. Revenues from our shops and donations help to fund programmes such as the In Retrospect exhibition and our Last Sundays programming.