New Roots – Gisele Gardner

Gisele Gardner - Subterranean Initiation (2012)

Gisele Gardner – Subterranean Initiation (2012), oil on canvas

Biography

Gisele Gardner, 23, has been painting for seven years. A past student of the Edna Manley College, she has also obtained a Post-Baccalaureate Certificate and Studio Diploma from the School of the Museum of Fine Arts, Boston. She specializes in oil paints and figurative imagery, and has been featured in numerous exhibitions, local and international.

Gisele Gardner

Gisele Gardner – Kevin 2 (2011), oil on canvas

Artist’s Statement

My work is predominantly based in themes of identity, escape, and the opposing natures of disgust and intrigue. Beginning with a love of portraits, bodies and faces, I have since turned to more unconventional topics of focus, meat, flesh, bones and teeth, as a way of stripping our identity down. I have also recently used these elements to create more abstract terrain, exploring others’ reactions to these aspects of ourselves.

Gisele Gardner - Vicki (2011), oil on canvas

Gisele Gardner – Vicki (2011), oil on canvas

Curator’s statement

More enduring than fingerprints: dental records are just as unique but they tend to reveal much more about the person they belong to. They reflect our lifestyles, our age and – depending on options available for care – our social status as well. The views that confront us within Gisele Gardner’s paintings are familiar yet surprisingly intimate because of the subject matter: the mouth. There is a sense of unease that is created from looking at the imperfections she depicts, despite the fact that they speak to the very individuality of a person.  But why do they disturb us so? Is it the vulnerability that comes from scrutiny? Or is it our roles as seeming voyeurs violating a privacy that creates this sense of unease?

Closed mouths can be a wall, we do not know and can therefore more easily ignore what lies beneath. We can remain complacent and unwilling to move outside of our comfort zones by our decisions to disengage from the uncomfortable. These mouths however do not allow us to retreat; they are wide open challenging our unwillingness to engage. We are pushed until faced with cavernous scenes, grotesqueries that are both alien and disconcerting familiar. Will you look away from the nightmare or will you be brave enough to face it?

 O’Neil Lawrence

Gisele Gardner - Enter Through Carved Stones (2012), oil on canvas

Gisele Gardner – Enter Through Carved Stones (2012), oil on canvas

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7 thoughts on “New Roots – Gisele Gardner

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  5. I saw these pieces in the National Gallery a few days ago and they were my favourite. The paintings, even Subterranean Initiation and Enter Through Carved Stones, are very realistic and there was obvious attention to detail and shading in the pieces.
    Great job!

  6. Pingback: New Roots: Petrona Morrison’s Opening Remarks | National Gallery of Jamaica Blog

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