Remember This: Tributes and Selections from the National Collection

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Having spent three months exhibiting a wide range of work produced in the last two years in the National Biennial, we at the National Gallery now turn our attention to history and memory. The current temporary exhibition honours those who are recently departed and brings back some of our Permanent Collection favourites.

In the last few months, the Jamaican artistic community has reeled from the deaths of three of our most long-standing, productive and prolific members; Gaston Tabois (d. Nov 20, 2012), Petrine Archer-Straw (d. Dec 5, 2012) and Fitz Harrack (d. Jan 10, 2013). To honour them, three mini tributes have been installed, showcasing their work. For the next few weeks, patrons will be able to see several of Tabois’ most beloved works (including Taino Cave Rituals - on loan from Michael Gardner), a display of a number of Harrack’s wood sculptures and his larger-than-life metal work North, South, East, West in Conversation. Both displays are accompanied by a text panel with a brief biography. In the case of Archer-Straw who was an artist, but also a curator and art historian, patrons will be treated to a small sampling of her art work, a display of a selection of her publications and an additional text panel that explains her work and its relationship to global and local art world trends.

The rest of the exhibition features works from our National Collection drawing on four themes: Pattern and Decoration, Postcolonialism and Religion, Depictions of Motherhood and the Intuitives. Longtime favourites of the Jamaican public such as Barrington Watson’s Mother and Child and Allan ‘Zion’ Johnson’s Peacock are back on display. However, there are also a number of rarely seen works such as Sherida Levy’s unusual Jamaican Madonna and J. McCloud’s Mother and Child.

Needless to say, the current exhibition offers something for everyone and complements our permanent exhibitions, which provide an overview of Jamaican art from the Taino the the late 20th century. School groups will benefit from the thematic focus of the current exhibition and families are encouraged to take advantage of our Last Sundays and other special events. Our more familiar visitors can engage with memories of friends passed and artwork long missed. We hope to see you soon!

In Memoriam: Fitzroy “Fitz” Harrack (1945-2013)

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The National Gallery of Jamaica deeply regrets to announce that the master sculptor Fitzroy (Fitz) Harrack has passed away on January 10, 2013.

Born in 1945 in St John’s, Grenada, Harrack received his early artistic training in Grenada and then Trinidad before attending the Jamaica School of Art (later Edna Manley College for the Visual and Performing Arts) on a scholarship. Upon his graduation in 1969, Harrack settled in Jamaica and began exhibiting in group and solo shows at well-known venues such as the Bolivar Gallery and the Institute of Jamaica. He was a regular exhibitor at the National Gallery of Jamaica where he participated as an invited artist in the Annual National exhibition and subsequently, the National Biennial. He was one of the artists selected for the prestigious Jamaican Art 1922-1982 exhibition, a major survey of modern Jamaican art which was toured in the USA, Canada and Haiti 1983 to 1985 by the Smithsonian Institution Traveling Exhibition Service. He most recently exhibited at the National Gallery in the 2008 National Biennial, to which he contributed a metal mask, and in the inaugural exhibition of the Guy McIntosh Donation, which included a major, untitled and undated abstract carving.

Fitz Harrack - The Disadvantaged (1973), Collection: NGJ

Fitz Harrack – The Disadvantaged (1973), Collection: NGJ

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